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"The Big Meet" follows drunken writer Blake (Lane Carlson) on an absurd adventure with a macho stranger called Nate (Mike Genovese) he meets in a bar. Several drinks later, the impaired writer is lured into a haphazard plot to murder his newfound companion.

When alien invaders capture Earth's superheroes, their kids must learn to work together to save their parents - and the planet.

Tips for what to expect when taking a vacation aboard a cruise ship, and how to make the most of the trip.

“The Phone Book” is the first-ever film adaptation of the world’s most widely owned book – the telephone directory. To preserve the artistic integrity of the original work, all dialogue has been reproduced exactly as it appears in the source material.

Cindy finds out the house she lives in is haunted by a little boy and goes on a quest to find out who killed him and why. Also, Alien "Tr-iPods" are invading the world and she has to uncover the secret in order to stop them.

Bogo, a self-deprecating stand-up comedian, struggles to find happiness in a life where his only value seems to be making other people laugh.

"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.

A frustrated couple seeks the help of a therapist to solve their unique intimacy problem.

A HAM radio enthusiast discovers a mysterious object in his backyard that might be a window into another world.

Ever since she was a little girl, growing up in the fourth world country of Crapistan, Natasha has devoured all things American. Finally, through the wonders of the Internet, she finds her way to a Bel Air mansion and into the loving arms of a socially inept Internet mogul. With her own "How to Be an American" scrapbook as a guide, every week, Natasha, the upbeat optimist, takes on a new, impossible challenge with wide-eyed enthusiasm.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.