Bete lives happily with her mother and her 50 cats, but a visit from a distant cousin is bound to reveal dark secrets...

After getting involved in a car accident, a depressed, isolated, and chronically online girl tries to cut back her internet addiction and reconnect with an old friend.

From the 17th floor of an office building, Pierre is staring out a colleague that is here for hours.

This short film follows the story of two gay men in Mumbai who meet and fall in love in regular train journeys. Burdened with the larger social (and legal) scorn the two are unable to say anything to each other.

A lonely young woman becomes obsessed with the sex lives of her next door neighbors, unaware that appearances are not what they seem.

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

A feud in the Adirondack Mountains develops when Randolph Shaw will not give up a shack and its acreage adjoining the estate of Lord Cecil Bazelhurst, whose wife, the former Evelyn Banks of Jersey City, married him for his title and now wants to get rid of Randolph's ugly shack. When Randolph meets Cecil's sister Penelope, a romance begins which is furthered after one of the Bazelhurst servants shoots Randolph in the arm for trespassing and Penelope, who earlier had looked upon the feud as a joke, runs away to Randolph's house and accepts his engagement proposal. Cecil and his men pursue Penelope, but are frightened away by Randolph's men and are forced to spend a miserable stormy night in the woods. The next day everyone becomes reconciled when Lady Evelyn realizes that the desired property will now be in the family, and Randolph offers Cecil and his men dry, if ill-fitting, garments to wear.

When her traveling theatrical group goes broke, Poppy, an actress in the troupe, finds herself stranded in Singapore. She's reduced to working in a bar in the seedy part of town as a "hostess", where she meets a down-on-his-luck Englishman. While drunk he gets into a fight, and is forced to kill his opponent in self-defense. The girl helps him escape and goes to Sam, a shady plantation owner, to try to get them out of Singapore. However, Sam has his own plans for Poppy, and they don't include potential rivals for her affections.

Drusilla Ives, a young Quaker girl living on an isolated island, leaves to become the servant of the spendthrift Duke of Guisenberry in London, who is the Lord of her village. She finds that she is attracted to the bustling city's night life, and when the duke discovers that she is a fine dancer, he helps her turn professional. In short order she becomes known as Diana Valrose, the city's favorite dancer. Unfortunately, her strict father and her Quaker fiancee, John Christison, back on the island find out about her newfound fame and career and strongly disapprove--her father places a curse on her and her boyfriend marries her sister Faith. Complications ensue.

On a volcanic island near the Kingdom of Hetvia rules Count Dakkar, a benevolent leader and scientist who has eliminated class distinction among the island's inhabitants. Dakkar, his sister Sonia and her fiance, engineer Nicolai Roget have designed a submarine which Roget pilots on its initial voyage just before the island is overrun by Baron Falon, despotic ruler of Hetvia. Falon sets out after Roget in a second submarine and the two craft, diving to the ocean's floor, discover a strange land populated by dragons, giant squid and an eerie undiscovered humanoid race.

Molly Bawn. British silent drama movie. Directed by Cecil M Hepworth. Starring Alma Taylor, Stewart Rome an Violet Hopson. adaptation of the1878 Irish novel of the same name by Margaret Wolfe Hungerford. Molly Bawn the novel by M. W. Hungerford contains her most famous idiom: "Beauty is in the eye of the beholder." It is also referenced in chapter 8 of James Joyce's Ulysses.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.