Broadcast for the end-of-year holidays, this second diversion (which follows Derrick contre Superman) is a crazy cartoon show mixing original sequences presented by Valérie Payet and Philippe Dana with redoubled excerpts from cartoons with Bugs Bunny, Daffy Duck... and films with Steve McQueen, Burt Lancaster, Jack Nicholson, Jean Gabin, etc. This is the second of the three TV films of the Grand Détournement.

Yoel, film and video games fanatic, needs to prove to his ex-girlfriend that he has matured. Unlike his older brother, Roberto, serious, formal, and sensible, he must learn to be a geek to win the girl of his dreams.

Norman Normal is pressured to act in ways he finds uncomfortable by his boss, his father, and the people around him.

A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.

A scientist builds a robot, and sets it to cleaning up his lab while he sleeps. The robot rebels, and creates two small robots; they create various forms of mischief while he sleeps, including trapping him and the inventor for a while.

David defaces his sister's doll. In the fight that follows Rebecca falls and hits her head. When she comes to, she discovers that she has telekinetic powers, and uses them to take revenge on her brother David.

We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.

A murder-à-trois in every conceivable way.

A man is desperate to make something out of nothing and so are the creators of this 42-minute, nearly improvised feature that deals with finding salvation in others, rather than oneself, in the midst of a world falling apart. When the Kafkaesque routine of a man who is alone to the point of imploding into nothingness begins to fall apart, unexpected love and friendship seep in through the cracks. The film was shot on a handy cam over the course of several days during which a number of scenes of comedy and drama were improvised and gradually built up to a story-arch that was really never put down on paper form.

Hobo Donald steals dinner off Pegleg Pete's table. Pete gives Donald a stick of dynamite. Then he puts Donald to work chopping trees. To say Donald is an inept lumberjack is understating the case. After several mishaps, Pete/Pierre chases Donald on railroad handcars.

Tom's cousin George, who's terribly afraid of mice, comes to visit. Jerry's confused, since Tom and George look alike.

W.C.Fields enters the Warmer Bros. Studio. Beans tries to drive in, but the guard throws him and his car against a tree. Charlie Chaplin drives in, followed by Oliver Hardy on foot - but we see that it's really Beans in disguise. Oliver Owl is directing a picture; Beans sneaks onto the stage. He's watching from a catwalk when someone knocks him off, into the middle of the scene. Beans is thrown off the set, right into the set of a Frankenstein movie. He accidentally brings the robotic monster to life, and it crashes into the original studio, eating the camera. Beans tries to stop the monster, but is sent flying. He lands against a wind machine. which chops up the monster.