In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.

Taken in one concentrated best-of dose, it becomes evident what a coup The B-52's pulled off when they turned their own concentrated craziness into genuine hits. This is some of the weirdest stuff ever to make the charts, much less beloved by the masses. It's all here through the mad surf guitar of Ricky Wilson (and later Keith Strickland), the banshee wails of Cindy Wilson and Kate Pierson, and, of course, the, um, well, let's say vocalizing of freaky Fred Schneider. "Party out of Bounds" with a "Rock Lobster" on "Planet Claire," or "Roam" over to the "Love Shack" in "Private Idaho." Whatever you do in The B-52's universe will at least be good, clean, perverse fun

Legendary documentary of the 1977 package tour arranged by David Robinson and Andrew Jakeman ("Kake Riviera") after they founded Stiff Records in London, England for five of their artists, and the bands that they concocted for the tour.

With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.

A woman in a troubled marriage falls for a former teen heartthrob who's fallen from industry favor, while having nagging (and empowering) hallucinations about fronting an 1980s new wave band.

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

The Spectacular Spinning Songbook made its first appearance in 1986 in Los Angeles during the "Costello Sings Again Tour." In 2011, Elvis Costello and the Imposters set out on The Revolver Tour and, for the first time in 25 years, once again allowed his set-list to be chosen by "The Spectacular Spinning Songbook," a monumental game-show type wheel spun by select fans and featuring songs from his latest critically acclaimed release National Ransom, plus new renditions of hits, rarities and very unexpected covers. This is the complete concert from the 12th May, including special guest appearance from The Bangles.

A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.

A fascinating documentary focusing on backstage realities of art and business during the British synthesizer band's 1988 American tour.

1. In the Flesh - 2. X Offender - 3. Denis – 4. Detroit 442 – 5. (I'm Always Touched by Your) Presence, Dear - 6 . Picture This - 7 . Hanging on the Telephone - 8. Heart of Glass - 9. Dreaming - 10. The Hardest Part - 11. Union City Blue - 12. Atomic - 13. The Tide Is High - 14. Rapture - 15. Island of Lost Souls - 16. Maria - 17. Good Boys

After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.

Rockpile recorded their installment of the German TV show Rockpalast in January 1980, a few months before the appearance of their lone LP, Seconds of Pleasure, but at that point, the quartet were a fixture on the new wave scene, touring constantly and appearing on solo LPs by their co-leaders Dave Edmunds and Nick Lowe. All this is a roundabout way of saying that Rockpile wasn't hurting for material: they drew heavily upon Edmunds' solo records in particular -- 13 of the songs on this 17-song setlist appeared on one of Dave's LPs -- interspersing a few rock & roll oldies along with songs from Nick, plus a showcase for Billy Bremner