The film takes us into the life of a nine- year old girl, who takes respite in drawing despite the fact that to fulfil her little aspirations like going to school, she has to navigate difficult geographical terrains and occasionally a curfew or a crossfire. By zooming into the microcosm of the girl's life, this short film endeavors to portray the larger story of Kashmir and the negotiations the people in any contested territory have to make in order to deal with the fissures in their geographical and personal identities. As a conscious act of resistance against the infidelity of language, there are no dialogues in the film.

a young boy works hard to buy his sister a birthday cake, but at the end of his journey he runs into an army man who's world collides with his in a situation that both try hard to control.

A young musician, Rumi, seeks the truth behind Noor Begum, a reclusive icon of Kashmiri music. Once Zeba, the valley’s first female radio singer, Noor’s journey from silence to song broke social barriers. As Rumi unearths her past, Songs of Paradise reveals a legacy of defiance, resilience, and the power of a voice that refused to be forgotten.

After returning from overseas, heiress Rita is stressed out and needs to go someplace to unwind. She chooses Kashmir and, upon arrival, rents a houseboat from the owner, Raja. After a few misunderstandings, they are attracted to each other and soon fall in love. This romance is not looked upon favorably by Raj Bahadur Chunilal, Rita's dad, as he would prefer his daughter marry a suitor he has chosen for her: Kishore. Rita dislikes Kishore and will only marry Raja; the wily Raj Bahadur devises a plan that will let him keep the cake and eat it too.

After her husband is abducted in Kashmir, a traumatised woman flees to the United States with her young son to rebuild their lives.

Based on a true tragedy, the emotionally triggering film sheds light on the plight of Kashmiri Pandits (Hindus), a religious minority in the 1990s Kashmir valley, who were compelled to flee their homes by the Islamic militants.

Widely considered to be the crown jewel of Kashmir, Dal Lake is a sprawling aquatic community where erupting political violence often distracts from the natural beauty. Gulzar, a young, working-class boatman, plans to skip town with his best friend in search of a better life, but a weeklong military curfew derails their departure. Forced to wait it out, Gulzar takes a job assisting a pretty scientist named Asifa. As they navigate the floating landscape, collecting water samples for an environmental study, an unlikely relationship blossoms between the two. When Asifa’s research reveals harmful pollutants, Gulzar realizes that the ecology of the lake and an entire way of life face an alarming threat, and everything in his own life begins to take on a new hue.

A couple along with a bunch of jobless and critical youngsters gathers in a cafe to kill time and share their own misery

'Kaafiron Ki Namaaz' is about a recently court martialed army officer, a writer and a musician who confess their most personal secrets to each other on a rainy Christmas Eve somewhere in Srinagar, Kashmir. What begins as a dramatic discussion between the army officer and the writer in an old, abandoned hotel soon turns into a chilling meeting raising some pertinent issues. Meanwhile, the writer's camera assistant stands as a mute spectator and records everything on his camera.

When a young man disappears during the army's intensified anti-terrorist activities in Kashmir in 1993, his best friend will do anything to find him, even if it means sacrificing himself. Based on the novel "The Collaborator" by Mirza Waheed.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

As India faces a militant attack in Kashmir, the country’s best combat aviators join forces under a reckless yet brilliant squadron leader to form 'Air Dragons', faces mortal dangers and their inner demons.