Filmed and edited entirely in isolation, Living in Fear is an educational and inspiring documentary directed by myself, Stephanie Castelete-Tyrrell, a disabled filmmaker as I capture the fears and struggles disabled people faced before the government implemented the lockdown on the 23rd March 2020. Thousands of people with disabilities were left in the dark and had to make the call weeks before to lockdown as it was inevitable that we would die if we caught the virus. Food was impossible to access because we couldn't go out or get delivery slots, and even if we did panic buyers made it impossible to get the items we desperately needed. We were truly isolated, unable to have family and friends visit. Having carers coming in and out of the house was risky and many disabled people felt that having basic care was putting their lives at risk.

After a young man agrees to help a reclusive elderly neighbour with their weekly grocery shopping through lockdown, they form an unlikely friendship that changes them both.

The world out there is halted by a pandemic, and during lockdown, an apartment in Rome becomes the same as one in Milan, Naples, Paris, and New York. Each one lives a story identical to all the others, yet unique and personal. Four young people under thirty have been sharing an apartment for some time and, stopped by the infection, find themselves facing shadows bigger than living there. The opportunity to make some easy money at the expense of their shady landlord will lead to a crescendo of tension and delirium. The young people's choices and actions will become increasingly ambiguous as the consequences upend their dreams and hopes, fears and loves, until the unexpected ending.

Twelve Mexicans, scattered across different cities worldwide, capture their personal experiences during the early days of the 2020 pandemic lockdown. With only the resources at hand, they document their daily lives, reflecting the uncertainty, confusion, and anxiety that marked this unprecedented moment in history. From the relative comfort of isolation at home to the vulnerability of those at risk of losing their jobs or fighting the virus on the front lines.

Gabriel is a depressed young man living a reclusive and lonely life, shaken by memories of a very turbulent past. Amid the corona-virus pandemic that is ravaging the world, Gabriel finds refuge in his passion for video games and decides to start a modest career in live broadcasts on the internet. With his shy personality, he creates a community of online fans who connect with his inspiring messages of perseverance and authenticity. As Gabriel shares his personal journey and encourages his viewers to face their fears, he becomes a source of hope for many, especially one young follower who, inspired by her words, finds the strength to report her attacker. As his stream views increase and positive comments flood his channel, Gabriel finds a sense of purpose, fulfillment, and courage he never imagined.

Caleb, a coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.

Two instants separated by 99 days conflict with each other.

Upon the announcement of another UK national lockdown, Flo and Rob find themselves stuck in their house in London. Meanwhile, Flo tries to maintain a brand-new relationship with Evelyn, who had to abruptly leave to her hometown in Mexico.

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

As Singapore extends its lockdown amidst the Covid-19 pandemic, a work-from-home mother fights for her job while her domestic helper seizes an opportunity to do the unthinkable. But nothing is ever as they seem. A cautionary tale about 2 mothers, lives overlooked and voices mummed, /mʌm/ is a psychological drama with elements of an evocative thriller that examines Singaporeans’ symbiotic relationship with migrant workers.

Strangers June and Charlie wind up double-booked in the same upstate New York Airbnb during the start of COVID-19. Exasperating the situation, the lockdown forces them both to stay and confront the unexpected feelings that develop between them.