
I, Don Giovanni
Drama · Romance
Overview
A drama based on the life of 18th century Italian lyricist Lorenzo da Ponte, who collaborated with Mozart on his "Don Giovanni" opera.
Top Cast


Lorenzo Balducci
Lorenzo Balducci
Lorenzo Da Ponte
Lorenzo Balducci
Lorenzo Da Ponte


Lino Guanciale
Lino Guanciale
Wolfgang Amadeus Mozart
Lino Guanciale
Wolfgang Amadeus Mozart


Emilia Verginelli
Emilia Verginelli
Annetta
Emilia Verginelli
Annetta


Tobias Moretti
Tobias Moretti
Giacomo Casanova
Tobias Moretti
Giacomo Casanova


Ennio Fantastichini
Ennio Fantastichini
Antonio Salieri
Ennio Fantastichini
Antonio Salieri


Ketevan Kemoklidze
Ketevan Kemoklidze
Adriana Ferrarese / Donna Elvira
Ketevan Kemoklidze
Adriana Ferrarese / Donna Elvira


Valentina Calandriello
Valentina Calandriello
Prostituta
Valentina Calandriello
Prostituta
Similar Movies

After proving himself on the field of battle in the French and Indian War, Benjamin Martin wants nothing more to do with such things, preferring the simple life of a farmer. But when his son Gabriel enlists in the army to defend their new nation, America, against the British, Benjamin reluctantly returns to his old life to protect his son.

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

Grace Dalrymple Elliot is a British aristocrat trapped in Paris during the French Revolution. Determined to maintain her stiff upper lip and pampered life despite the upheaval, Grace continues her friendship with the Duke of Orléans while risking her life and liberty to protect a fugitive.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, David Butt Philip plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime.

When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.

Aging King George III of England is exhibiting signs of madness, a problem little understood in 1788. As the monarch alternates between bouts of confusion and near-violent outbursts of temper, his hapless doctors attempt the ineffectual cures of the day. Meanwhile, Queen Charlotte and Prime Minister William Pitt the Younger attempt to prevent the king's political enemies, led by the Prince of Wales, from usurping the throne.

This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.












