Lisa is in middle age and married to Bertil. Yesterday she celebrated a step up in his career with the girls at the hotel in town. In which "happened" Lisa to have a hot love meeting with a younger man in the hotel's spa area. Meanwhile, Lisa's sister is on the way to proudly show off her new found young man. He was also staying at the hotel last night. Was it him? The friend and closest neighbor, Gerd, a gray, miserable and unemployed, single girl, wondering where Lisa stubbornly went yesterday? Panic begins to spread, the sister is coming. What should Lisa do? Does Bertil suspect anything? Will Gerd back her up or is she up to something else?

A year has passed since Matilda Karlsson arranged a job in the city for her son Lennart and managed to persuade her late husband Nils-Erik to take care of the farm. Everything is fine except for one thing, Matilda wants grandchildren. Lennart and the neighbor's daughter Inga get along well so she thinks they would make a perfect couple. But there are many obstacles along the way.

The year is 1926 and Valter Liljefors has passed away. Valter's daughter Rut is very disappointed when she realizes that there is no money to inherit. The only thing of value is the house, and her mother Elsa lives there. However, the will states that if Elsa remarries, the house will go to Rut, who immediately begins looking for a suitable candidate. The plot also includes a shady priest, a sluggish valet, Götaland's most annoying brat, a naive stepsister, an unknown man and a refreshed Danish couplet singer.

An elderly wholesaler will marry a girl, young enough to be his daughter, who is under the impression that he rescued her from drowning. Obviously, things get complicated when both the girl's former boyfriend and the actual rescuer show up

The action takes place around the Ingeborg's cafe. The councilor Leif Aronsson has planned a trip to Denmark, but it must be set after he had a brief discussion on money fiddling with Ingeborg. He suspects that one will discover he has taken money from the city budget in their own pocket.

Strindberg was bold! In 1887, he dared to describe a priest who both drank and swore. He dared to portray a lovesick woman like Madam Flod and a calculating, lecherous Carlsson. He showed that farmhands had a sense of humor and pined for the maids, and he ridiculed the authorities. Strindberg was bold! So bold that Bonniers publishing house rejected several scenes because they were so bold. That is why we do not believe that Strindberg would disapprove of our ideas for his script. Here we will "mess around" with it thoroughly, in his spirit. In other words, you will get an adaptation that is VERY loosely based on Strindberg. Madam Flod will be lovesick, and Carlsson will be senile. The farmhands will have tons of funny lines, the maids will scream at the top of their lungs when the farmhands want to flirt, and the pastor won't be sober for many minutes. And the ending? No, we won't let anyone die here. These are new times! Strindberg was bold. Bold—so are we! Cheers, Strindberg!

Follow the odd couple Göran and Fia to the wonderful land of the campsite. It starts with a small parking mishap and then it's over. What was supposed to be a relaxing week of sun and coziness instead becomes an orgy of flirting, devilry and secrecy.

The miserable and lazy farmer Nils-Erik likes it that his wife Matilda rules and dictates, but cannot come to terms with the fact that she constantly falls for the flattery of their neighbor Valdemar. Their son Lennart has inherited the mother's touchiness and the father's laziness and feels like a failure. Then Nils-Erik gets an idea! But is it wise to involve the local postman Dag-Otto in his plans?

In the forests of Halland lies an old car workshop run by a dysfunctional raggar family.

The year is 1949 and we are back at Matilda and Nils-Erik's farm. Their son Lennart and his wife Rakel are planning to take over the farm after his parents.

"Home Guard and Mumps" is set in the mid-1940s, the farmer Nils Erik Kristersson (Stefan Gerhardsson) farm at Ätran in Falkenberg. He is married to the ill-tempered Mathilda (Siw Carlsson), and together they have daughter Greta. The farm is also home to the försupne toffelmakaren Ola Larsson (Krister Claesson) and the bleating maid Emma (Tina Leijonberg). The farce begins with the second lieutenant Löwendahl (Tommy Juth) and Sergeant Malmberg (Gosta Janson) shows up in the yard to announce that they intend to use the farm for the Home Guard.

Åbackens people's park has been closed for six years, but now it is again to life. Unfortunately it is a bit easier said than done when the renovation is far from finished the day before the inauguration. The callous lady owner Eivor Stark puts all the responsibility on his awkward assistant Richard. More problems will be when the somewhat unassuming man Torsten shows up and claims to be rightful owner of the park. And how are the graduates photographer Harald? Will he ever his picture on the superannuated German opera star Brunhild Müller, who will do anything to avoid taking tons? Then one may ask what Conny Cash doing there? Has not he a lunchtime to fit, in prison? Or is there a hidden mug prey in the park? An orgy of intricacies and madness, everything collected in 1985 at Åbackens dance.