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Cartoon adaptation of tales written by Pierre Gripari.

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Alessandra, a young student, is found dead on her university campus by three mysterious women who decide to bring her back to life. Upon reviving, the witches will present Alessandra with a difficult task: she must find and kill her murderer in order to reestablish the natural balance of things. Otherwise, Alessandra will face a fate worse than death...

Amanda Montejo is a trans woman, make up artist, Guadalupana and a witch. This documentary portrait explores different facets of her spirituality and fragments of her past, revealing the duality of her being.

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While taking a walk, Chico Bento, a boor living in the backwoods of Brazil, tells his friend Zé Lelé and girlfriend Rosinha some fantastic stories happened to him: he'd been turned into a frog, been attacked by ants and by an animal resembling a jaguar, and some other doubtful cases.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

A group of geologists are in a prospecting expedition. Their personalities are explored as well.

Careless detective Paul White and the careful Yuji Sato meet a beautiful girl who needs their help. Emma has a big secret of her own and the unsuspecting detectives get into a dangerous conspiracy of her making.

Gabrielle is writing an illustrated guide book on sex called 'How To Do It.' At a book signing she meets Saul, an established male writer who is straight. She both loves and hates his work which has seeped into her secular Jewish life from childhood. The more Gabrielle tells him about her book the more he wants to know about her life; the relationship with her younger girlfriend Olivia and her determination to "stop using my penis in sex". As her book takes form, is Saul jealous or desirous? Their friendship is tested as is Gabrielle's relationship with Olivia. The film muses on how we write, how we draw. And the nature of "story" and what it makes us do.