Kyotaro Ichikawa is a painfully awkward middle school boy deep in the throes of eighth-grader syndrome, spending his days obsessed reading morbid books like The Encyclopedia of Murder and anatomical diagrams. His quiet, isolated world is suddenly turned upside down when Anna Yamada, the classroom star, unexpectedly steps into his life. Whether she’s casually eating rice balls in the library, humming to herself, or suddenly closing the distance between them, Yamada’s unpredictable behavior leaves Ichikawa constantly off balance. And before he knows it, she is occupying his everyday thoughts. As they spend more time together, Yamada too begins to find herself drawn to Ichikawa in ways she never expected. It’s the first time either of them has truly understood what it means to “like” someone. Through misunderstandings and clumsy, heartfelt emotions, the distance between them slowly, but surely, begins to close.

To escape an arranged marriage in the Dragon Palace, Kim Yong-man, the dragon king's daughter, flees to the human world and begins high school, determined to become the top of her class. There, she encounters Shim Hae-soo, the current number one student sitting beside her. As rivalry shifts into friendship, the two gradually become special to each other.

Kyoko, who couldn't believe anything in the world and lived a desolate life, meets Katsuya Honda, who has been assigned as an educational trainee. She is at the mercy of Katsuya, who is rude and has a strong habit, and she is gradually attracted to her. However, she is disowned by her parents in the wake of an incident with her bad fellow. It's a punishment that I've been doing as much as I like. Katsuya appears in front of Kyoko who thinks so...

Morihito Otogi, a high school student who comes from a lineage of ogres, enjoys a peaceful, ordinary life until his childhood friend, Nico, moves in with him. Nico is a witch-in-training, and chooses Morihito to be her familiar. While Nico is thrilled to reunite with her old friend and crush, Morihito is tasked with the perilous duty to protect her from a foretold calamity. Between the unpredictable chaos caused by Nico’s magic, and the awkwardness of sharing a home, their lives become a whirlwind of supernatural hijinks and threats. A special theatrical premiere event featuring the first three episodes and exclusive interviews.

An emotionally scarred former child soldier becomes a letter writer in this condensed recap of the moving, gorgeously animated award-winning series.

This is a collection of popular softcore actress Misty Mundae' best scenes.

Summary of the first season of the show, as seen from Rikka's perspective with new elements.

A selection of short films that shows the struggles and celebrations seen through the eyes of boys becoming men but also attracted to them.

A theatrical re-edit/summary of the TV series. Some of the voice actors were changed (eg. Oscar is played by Keiko Toda instead of re-using the original audio by Reiko Tajima).

Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.

Compilation film for 30-sai made Doutei dato Mahoutsukai ni Nareru Rashii and will depict episodes not shown in the TV anime.

A compilation of thirteen rare silent films digitized by the Library of Congress, selected for the 2022 Domitor conference theme “Copy/Rights and Early Cinema.” Drawn from nitrate and safety film, the program spans comedies, trick films, and dramas exploring censorship, invention, adaptation, and social rights. Titles include: Pruning the Movies (Nestor, 1914); Imperial Japanese Dance (Edison, 1894); Early Edison Camera Tests (Edison, c.1890s); Censorship and its Absurdities (Edison, 1915); In Wrong (Crystal, 1914, dir. Phillips Smalley); Tillie’s Tomato Surprise (Lubin, 1915, dir. Howell Hansell); Indian Land Grab (Champion, 1910); The Stolen Play (Falcon Features, 1917, dir. Harry Harvey); And the Villain Still Pursued Her (Vitagraph, 1906, dir. J. Stuart Blackton); The Doll’s Revenge (Hepworth, 1907, dir. Lewin Fitzhamon); The Disintegrated Convict (Vitagraph, 1907); The Mexican Joan of Arc (Kalem, 1911, dir. Kenean Buel); and Fads and Fashions of 1900 (U.S., 1940s).