
Haiku Tunnel
Comedy
Overview
Josh is the consummate temp employee, avoiding all long-term connections and responsibilities, both at work and in his personal life. However, by the time his agency places him at the Schuyler & Mitchell law firm, Josh is tired of his temporary life and agrees to take a permanent position at the firm. Josh has difficulty adapting to his new lifestyle, which manifests in his inability to complete his simple initial task: mailing seventeen important letters.
Top Cast


Josh Kornbluth
Josh Kornbluth
Josh Kornbluth
Josh Kornbluth
Josh Kornbluth
Keith Warren
Keith Warren
Bob 'Bob' Shelby
Keith Warren
Bob 'Bob' Shelby
Sarah Overman
Sarah Overman
Julie Faustino
Sarah Overman
Julie Faustino
Helen Shumaker
Helen Shumaker
Marlina D'Amore
Helen Shumaker
Marlina D'Amore
Amy Resnick
Amy Resnick
Mindy
Amy Resnick
Mindy
Brian Thorstenson
Brian Thorstenson
Clifford
Brian Thorstenson
Clifford
Joanne Evangelista
Joanne Evangelista
Caryl
Joanne Evangelista
Caryl


Joe Bellan
Joe Bellan
Jimmy the Mail Clerk
Joe Bellan
Jimmy the Mail Clerk


Michael X. Sommers
Michael X. Sommers
Crack Attorney
Michael X. Sommers
Crack Attorney
Jodean Lawrence
Jodean Lawrence
Denise the Receptionist
Jodean Lawrence
Denise the Receptionist
Similar Movies

Mike Regan is a successful, self-made man who has it all: a gorgeous wife, a beautiful teenage daughter and a sleek, state-of-the-art “smart home”. But he soon finds himself in a deadly, high-stakes game of cat-and-mouse when his I.T. consultant, Ed, starts using his skills to stalk Mike’s daughter and endanger his family, his business, and his life. In a world where there is no privacy, and personal secrets can go viral by the click of a mouse, Mike needs to rely on his old connections to defeat a new kind of nemesis.

Bernard, an executive for a big company, tries to get home in time for his wedding but is caught in the middle of a mass suicide. He saves a sect member who then follows him like a puppy, and is chased by the sect leaders, two over-the-top crooks with bloated egos and a craving for money.

The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.

If you get the chance to fulfill your lifelong dream, you shouldn't hesitate for long and must seize the opportunity. That's how idealistic midwife Irene Lieblich sees it. Her big dream is to open her own birth center. She has already found the perfect place for her project: a beautifully situated property on the outskirts of a picturesque Bavarian town. It all seems like a sure thing - the application has been submitted to the local council, the building finance is secured thanks to an unexpected inheritance and Irene has already rented a small terraced house for herself and her nine-year-old daughter Katja. But then, to Irene's horror, another interested party turns up for the property: funeral director Siegfried Schroff. He also wants to fulfill his dream of opening a private cemetery in this rural idyll.

Swinging playboy Grand Duke Nicholas Goduno, a direct descendent of the Romanov family who were overthrown in the Russian Revolution of 1917, learns that his family's crown jewels will be exhibited at a London museum and plots to steal them. To this end, he gathers a crew of beautiful but dangerous women, led by Bridget Rafferty, to assist in his plot against Popov, the Soviet functionary in charge of the exhibit.

Jonathan Miller set his well-known production of The Mikado, staged for the English National Opera, in a British seaside resort of the 1920s. The result, complete with a chorus of gentlemen of Japan as cartoon-like British peers, emphatically underscores the Englishness of the satire. The occasional non sequiturs, like a bunch of gentry dressed for Ascot and singing in Japanese, are loonily fun, and no more absurd than the fantasyland Japan that Gilbert and Sullivan invented. The time frame, though, seems little more than an excuse for a smart black-and-white production design.














