Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.

Born a conjoined twin due to the effects of Agent Orange used during the Vietnam War, Duc Nguyen, now a father and husband, seeks the truth about his past and contemplates the future.

John Baumhackl recalls the early days of the Vietnam War when more and more troops were being sent into combat every month. In 1968, John's number came up and he was drafted into the conflict. Buying a camera at his company store before shipping off, he captured many battles while in a helicopter. John was near the front lines when President Nixon made the controversial decision to push into Cambodia. In John's view, this saved American lives.

Hunting in Wartime profiles Tlingit veterans from Hoonah, Alaska who saw combat during the Vietnam War. The veterans talk about surviving trauma, relating to Vietnamese civilians, readjusting to civilian life, and serving a government that systematically oppresses native people. Their stories give an important human face to the combat soldier and show the lasting affects of war on individuals, families and communities.

A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.

After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.

At the height of the Vietnam War, a budding journalist eager to make a difference stumbles across the story of his career. Years later, he is forced to confront the consequences.

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

Honour West and Joan Camuglia-May share their experiences in this upbeat roller-skating documentary.

Follows five young star students on their journey to win one of the world’s most prestigious competitions for student entrepreneurs.

A documentary portrait of Tiit Pääsuke, the most prominent painter in contemporary Estonia. Artist per excellence, creator of the imaginary picture-landscapes, a charming person, adorer of the woman’s beauty, gentleman and a colonel in local whisky club - Tallinn Uisge Beatha Club. “When painting, I compose the details of my pictures, my human models not as traditional painter, but more like film or theatre director works with actors, my compositions are as performances, theatrical happenings”. - Tiit Pääsuke

In 1931 the rains stopped and the "black blizzards" began. Powerful dust storms carrying millions of tons of stinging, blinding black dirt swept across the Southern Plains — the panhandles of Texas and Oklahoma, western Kansas, and the eastern portions of Colorado and New Mexico. Topsoil that had taken a thousand years per inch to build suddenly blew away in only minutes. One journalist traveling through the devastated region dubbed it the "Dust Bowl." This American Experience film presents the remarkable story of the determined people who clung to their homes and way of life, enduring drought, dust, disease — even death — for nearly a decade. Less well-known than those who sought refuge in California, typified by the Joad family in John Steinbeck's "The Grapes of Wrath," the Dust Bowlers who stayed overcame an almost unbelievable series of calamities and disasters.