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K2 Chasing Shadows chronicles Benjamin Védrines' record-breaking 2024 ascent of K2 (8,611m) in 10 hours, 59 minutes, and 59 seconds, without supplemental oxygen: a story that unfolds as much in the mind as on the mountain. In human exploration, each boundary pushed awakens a new thirst. Each feat paves the way for a deeper quest. It is this tension between extreme performance and inner aspiration that drives K2 Chasing Shadows. For Benjamin Védrines, it is a journey of humility, resilience, and a search for meaning amidst the raw beauty of the Pakistani Karakoram. The film exposes the physical demands of a formidable summit, while also exploring fear, loss, and the perilous nature of dreams that demand total commitment. Between unforeseen obstacles, forced retreats and new attempts, Védrines faces the most trying and exhilarating aspects of mountaineering, constantly questioning where true accomplishment lies.

Uses astonishing visuals to tell the intersecting stories of George Mallory, the first man to attempt a summit of Mount Everest, and Conrad Anker, the mountaineer who finds Mallory's frozen remains 75 years later.

A mountaineer and audiovisual director begins a trip through Argentina to reconvene with the two friends with whom he tried to make a summit in the Himalayas. Alone and with them, he will try to understand what happened to Dario, the fourth friend, who decided to keep going up, the only one who did not return alive from the expedition.

Brian Blessed plays George Mallory in this intrepid recreation of his ill fated 1924 climb to Everest. Meeting Sir Chris Bonington, Rheinhold Messnerhe learns of the pitfalls that await him before setting off for his epic struggle with the mountain. Against all odds he reaches 26000 feet on the North face of Everest, and is a changed man

For nearly three years, director Dina Khreino interviewed world-class mountain climbing athletes, listening to what compels them to leave behind families, friends, and everyday comforts to risk everything for a fleeting glimpse into the unknown. What she found was a tribe, a diverse group of professional adventurers and amateur philosophers forged by the ultimate test of body, mind, and spirit. In the face of shifting winds, sheer granite cliffs, and impossible odds, they climb. Each for their own reason, but every one connected by the vertical world. In this rarefied air, these athletes are fundamentally changed, not just as climbers, but as human beings.

Rotpunkt documents the advent, the agony and the art of the redpoint through Alex Megos’s efforts to redefine the boundaries of the form. The film traces the redpoint—which transformed rock climbing from an engineering problem into a brilliant test of mental and physical strength—from its origins with a ragtag bunch of tights-wearing revolutionaries in rural Bavaria, to its golden era with Wolfgang Güllich, to its new ideal in the German phenom Megos as he battles to unlock new levels of human potential.

The story of Enrique Herreros (1903-1977), cartoonist, advertiser, poster designer, talent manager, actor, producer and filmmaker, and the most daring of mountaineers; the man who, along with his companions from the so-called “other Generation of '27,” brought Hollywood to Madrid's Gran Vía, turning a grey and sinister post-war city into the capital of an incipient and ambitious cultural industry.

27-year-old German alpinist Jost Kobusch wants to climb Everest, alone, without oxygen and in Winter, when the roof of the world is deserted.

A man walks in more or less familiar places, walks there as if crossing unknown lands, never encountered before. At each step, he observes the world before his eyes, forcing him to fix it and freeze it in an “other” space and time, on the celluloid of his old camera. This man is Kurt Diemberger, climber and filmmaker of high peaks and distant lands. He is 82 years old, but he lives in the "now" rather than the past, continually exploring the land beneath his feet, in places dear to him in Austria, Italy and the Dolomites, as if he continued his research through the eye of the camera he uses for the observer.

This is Gaston Rebuffat's fourth film, in which, with several close friends, he discovers the sublime landscapes of the Alps. “Mont-Blanc is beautiful. I climbed it several times depending on the time, the color of the sky and the shape of the cornices and ridges. Because of the weather and also because of this feeling of altitude, Mont-Blanc provides great pleasure. For the guide, Mont Blanc is his garden, but the garden becomes more beautiful when shown to a friend. Personally, I really like the bivouacs; only there one penetrates a little the mystery of the altitude. That's why I immediately accepted when Tazieff expressed the desire to spend the night at the top of Mont Blanc in an igloo. The film won the Grand Prix at the Trento Film Festival in 1961.

In July 2024, Liv Sansoz and Bertrand Roche (aka Zébulon) made history in Himalayan mountaineering by climbing K2 (8,611m) without supplemental oxygen, then paragliding from the summit. The couple achieved a highly coveted first, and for Zébulon, the feat was all the more impressive as he had already completed the first tandem paragliding flight from Everest in 2001. More than just a climb, this film is a love story where Liv and Zeb share their doubts, emotions, and determination, carrying a shared dream where every step is taken together, united to the very end.