In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Jack is the fastidious manager of a local supermarket. The harmless but disruptive actions of his customers frequently give him headaches, which he remedies by holding a can of frozen juice against his forehead. At home, however, Jack is consistently kind, loving, and patient with his wife and daughter. One day the child brings home a stray dog, and his life is turned upside down.

An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

Mia returns from Stockholm to her parents' home in a small town in Dalecarlia (Dalarna) to celebrate her father's 70th birthday. Her elder sisters Eivor and Gunilla welcome her, but their different lifestyles prevent them from really communicating. The tension builds, and the party that should be a celebration turns out to be a turning point for the family and their friends

Willy Loman, an aging, failing salesman, struggles to accept reality and his failure to achieve the American Dream.

Ben is an art college student in London, whose imagination runs wild as he works the late-night shift at the local supermarket. What do he and his colleagues do to pass the long, endless hours of the night?

Why won't the light turn off?

A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.

When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.

The pressures of problems at home and at work are taking a tremendous toll on a middle-aged husband, and he begins to take it out on his wife.