Hyo-jeong, a 69-year-old woman, is raped—but few people, including the police, are willing to believe what she says.

A poetic story about the first love of the village girl Natasha, loyal to the memory of the deceased fiancé. In peacetime, the heroine's fiancé blew up on a land mine that remained on the collective farm field since the war, and her life turned into a nightmare. But sooner or later, dreams end and the world opens again. Pregnant Natasha goes to the institutions, seeking to be signed with the father of the unborn child who died tragically. At the end, after long ordeals, she comes to the conclusion that writing in the marriage book will not change anything in her life.

Etsuro Kurosu faills getting into a university and becomes a hikikomori. One day, he tries to hang himself from a hook on the wall in his apartment. He fails, but his attempt leaves a hole in the wall. Through the hole wall, Etsuro Kurosu can now see Rio Miyaichi. He becomes fascinated with the girl that lives next door. Later, while peeping at her through the wall, Etsuro Kurosu sees her in the process of brutally murdering someone. He screams and is caught by her. Etsuro Kurosu confesses that he loves her and they start to date. Etsuro Kurosu feels happiness in his life, but what will happen to him? Will he be murdered by Rio Miyaichi?

Socialite Judith Traherne lives a lavish but emotionally empty life. Riding horses is one of her few joys, and her stable master is secretly in love with her. Told she has a brain tumor by her doctor, Frederick Steele, Judith becomes distraught. After she decides to have surgery to remove the tumor, Judith realizes she is in love with Dr. Steele, but more troubling medical news may sabotage her new relationship, and her second chance at life.

The elderly residents of a small remote town panic when the EPA announces mandatory changes to their chemical plant could cause a dramatic increase in sexual libido. The sheriff tries to maintain order and decency but mayhem ensues.

Brothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Chris, an elderly Alzheimer's sufferer, is confined to his home. His son, Michael, is his primary caregiver. For months Chris' mind has been fading away and with it his grasp on reality. He is desperately trying to hold onto his mind. Chris is passing further and further from recognition. Michael is left wracked by survivors guilt. But to Chris, the world around him has become nothing more than a waking dream, the bounds of reality and reason bent and warped as his life cycles over and over around him. The only way he can hope to find clarity is to retrace these fractured memories from childhood to his elderly infirmity, in a desperate attempt to understand his condition.

In order to prevent further self harming, a young woman is forced to live in a new synthetic body, and must navigate intimacy in a physical form she fundamentally feels disconnected from.

Alice Howland, happily married with three grown children, is a renowned linguistics professor who starts to forget words. When she receives a devastating diagnosis, Alice and her family find their bonds tested.

When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.

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