A young woman becomes infatuated with the leading man of a traveling theatrical troupe. She sneaks away to join him in the next town, but her father forces her to return home...

This story shows the two different parts of acting. The father is a strong, ambitious and inconsiderate actor but his son (Tibor) is a sensitive one. This all takes part somewhere in Hungary when socialism "controlled" the country.

In order to win the respect of her friends and family, divorced housewife Sabine decides to perform Wilhelm Tell with a group of Asylum seekers in the Swiss mountains.

The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. Giselle kills herself. Her soul enters the ranks of the Wilis – shades of young women who died before their wedding day. All men that come across their path are compelled to dance themselves to death, and Albrecht falls into their trap. Giselle’s intercession saves Albrecht and releases her soul from the Wilis’ power.

The enthusiastic Reine is forced to take a job as a social worker at Kumla prison.

Actress JoBeth Williams directed this Showtime family feature starring The Sixth Sense's Mischa Barton for Barbra Streisand's Barwood Films. Barton is Frankie and Ingrid Uribe is Hazel, Frankie's neighbor and best friend. Frankie is an orphan who lives with her imperious grandmother, Phoebe (Joan Plowright), while Hazel lives with her father and older brother. Frankie's mother was a prima ballerina--killed in a car crash along with her father--and Frankie's been following in her toe shoes ever since. Although she's the best dancer in her class, she'd rather play baseball, whereas Hazel's a local activist who'd rather be mayor. The story strains credibility when 13-year-old Hazel runs for office against the middle-aged incumbent, but Frankie's goal is more understandable, and both actresses make their characters sympathetic and believable. It's as hard not to like them as it is not to root for them to succeed.

A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.

Young actress Bonnie May finds work in a private play given at Mrs. Baron’s mansion, where she endears herself to all, especially Victor Baron, the invalid son who has written the play. He begs her to stay on to help him write another play, despite the reluctance of his mother.

Celebrate the 50th anniversary of the groundbreaking sketch comedy with appearances from Burnett, original cast members Vicki Lawrence and Lyle Waggoner, costume designer Bob Mackie, and a slew of special guests.

As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.

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