Cowboy and Indian's only wish was to come up with a brilliant idea for Mr Horse's birthday, but when their plan ends up in utter disaster, they'll need to travel the world and back to make things right again.

Mother Earth practices on "The Creation" of the first human beings, in this mythical act some faults and disconnections are revealed when they launch into life in coexistence with themselves and with nature. An animation in Stop Motion made entirely with mud, a technique that challenges the animation process due to the quick drying of the mud that requires an animation instantly, generating unique and unrepeatable shots.

Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.

When an old castle needs repairs, it's time to call Bob the Builder! Unfortunately a case of mistaken identity puts Bob's father in charge, resulting in one disaster after another! Meanwhile, tales of Camelot inspire Bob's noble crew of machines - Sir Lift-A-Sot, Sir Roll-A-Lot and Lady Mix-A-Lot - in their quest to get the job done. And Sir Spud-A-Lot finds a suit of armor and a fiery steed almost perfect for jousting! Back at the castle, Bob's father is a bit of a royal pain, locking himself and Bob in the dungeon and then finding himself mysteriously trapped in a maze! Finally, a medieval pageant celebrates the grand opening of the castle and a great father-son relationship.

An inspirational speaker becomes reinvigorated after meeting a lively woman who shakes up his mundane existence.

Bob Spit, a comic book character, lives in a post-apocalyptic desert inside the mind of his creator, the legendary Brazilian cartoonist Angeli. When Angeli decides to kill off Bob, the old punk leaves this wasteland and faces his creator.

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

An old phonograph assembles itself, plays songs on wax drums before self destructing. In many ways The Phonograph is a companion piece to Renaissance, there is nevertheless something quietly affecting about Borowczyk’s final ‘object’ animation.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

A porcelain doll’s explorations of a dreamer’s imagination.

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.