Feel the Beat

Janey is new in town. She soon meets Lynne, a classmate who shares her passion for the local show 'Dance TV'. When a competition is announced to find new Dance TV performers, Janey and Lynne are determined to audition. The only problem is that Janey's father doesn't approve of that kind of thing.

The stage musical Peter Pan starring Cathy Rigby has toured the world to great acclaim. An adaptation of the famous 1954 musical directed by Jerome Robbins and starring Mary Martin, this new version is lasting proof that J.M. Barrie's tale of the boy who would never grow up is one of the kingpins of family entertainment. All the elements are in good form for this video production shot at the Mirada Theater in 2000 for the A&E Network. Some new songs have been added to the fabulous Moose Charlap-Carolyn Leigh score (which includes "Tender Shepherd," "I Gotta Crow," "I'm Flying," and "I Won't Grow Up"). But the biggest asset to this production are the spectacular flying sequences: Peter even soars over the audience at times. Martin was a stronger actress in a close-up, but Rigby is magical with her athleticism and spark, most notably in a percussion-filled song and dance number "Ugh-a-Wug.".

Joe Gideon is at the top of the heap, one of the most successful directors and choreographers in musical theater. But he can feel his world slowly collapsing around him - his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.

This film is the story of a small-town boy and girl. The hero, Denny Bolton, thrashes the town bully only to meet him later in the boxing ring in New York City. Ambition has swept him to Broadway, but the search for love brings him back to the Main Street of his home town.

Charley agrees to go on a blind date to help out his roommate. But because his last such date turned out badly, he goes all out trying to make himself look bad. He refuses to shave, wears his friend's old suit and even eats garlic. Unfortunately for him, however, his date turns out to be the lovely Thelma Todd.

The Marx Brothers help young Broadway hopefuls when they get mixed up with gangsters due to a tin of sardines containing Romanoff diamonds.

When a bubbly American hip hop dancer goes to India with her family for a wedding, she is impressed by a new dance style and falls in love with the man who introduced her to it.

Sutton Foster takes over City Center—filling it with her indomitable spirit for a concert with her friends that celebrates their connections to the historic theater and reflects on the challenges facing all of us. Bring Me to Light reunites Foster with fellow Encores! cast members Raúl Esparza and Joaquina Kalukango, City Center alum Kelli O’Hara, and Wren Rivera—Foster’s student at Ball University. Together, they enliven City Center with the hope of what lies ahead through performances of music theater favorites from Anyone Can Whistle, Camelot, Oklahoma!, South Pacific, Violet, The Wild Party, and more. Accompanied by Music Director Michael Rafter (piano) and Matt Hinkley (guitar), Bring Me to Light is directed by Leigh Silverman, with Jeanine Tesori serving as Creative Producer.

A Broadway choreographer gets drafted and coincidentally ends up in the same army base as the boyfriend of his object of affection.

A mute female dancer who wows audiences in club competitions but can't get Broadway jobs because of her handicap, develops a "voice" when a young scientist invents a device that allows her to make music via her dance movements.

A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.

An expert dancer Munna who idolizes the king of pop, reluctantly tutors a gangster until their developing bond gets disrupted by their common romantic interest towards the same woman.