A bored lawyer and a suffragette vie for the attention of a faith healer's charismatic daughter.

Based on the well-loved Australian classic by Mrs. Aeneas Gunn, this is the remarkable true story of Jeannie Gunn, a woman who fought to overcome sexual and racial prejudice amid the harsh beauties of the outback. Leaving her Melbourne existence for a new life on her husband's isolated ranch, Jeannie's feisty, good-natured attitude soon wins over the misogynistic stockmen, but she faces a much tougher challenge in trying to change their racist attitudes towards the indigenous aboriginal population.

When Hannah travels to Sweden to surprise her boyfriend and meet his parents, she begins to suspect that his family is hiding a monstrous secret.

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The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Üftade has long been the object of men’s fury. Her only hope is to marry the young man she is in love with and escape her traumatic life in the home of her abusive stepfather. However, when her lover suddenly leaves her, Üftade's despair increases exponentially, and she begins to lose her mental balance due to the traumas of her childhood. Throughout the years, her suffering is witnessed by her nephew, who feels helpless to do anything about her condition.

Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.

Moa is in her early 20s, works at a factory and lives by herself in a cottage in the forest. She is a vegan and follows her friends and demonstrations, mostly to fit in. But at home, by herself, she listens to pop music and use make-up.

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

In a dystopian, polluted right-wing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.

The stories of three lesbian couples -- who live in the same house at different periods of time -- who are at a crossroads in their lives. In 1961, Edith loses her lover, Abby, to a stroke. Linda and Amy struggle with feminist issues in 1972. And, in 2000, Kal and Fran try to have a baby with the help of sperm donor.

A tribute to the late Pat Schulz, an influential Canadian feminist.