A film about non-territorial office space, multi-mobile knowledge workers, Blackberries and Miles&More. A road movie discovering the working world of tomorrow. This documentary will take you on a journey through the post-industrial knowledge and services workshops, our supposed future working place. In this new world work will be handled more liberally. Time clocks cease to exist. Attention is not compulsory any more. The resource “human“ comes into focus. The film closely follows the high-tech work force – people who are highly mobile and passionate to make their work their purpose in life. Further episodes resume this topic and lead into the world of modern office architecture and into the world of Human Resource Management.

Isaac, a failed actor and Skies employee, shows us the daily life of workers in an average call center, facing the boredom to get to the end of the work day.

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

Not too long ago... at a race circuit just around the corner... ... And so we come to the greatest DVD of our time. It's called "Bagpuss: The Director's cut" and has nothing at all to do with the DVD we're giving away here. No, this is a far shoddier affair featuring, as it does, a documentary, or - if you will - a mockumentary. Revealing how the staff of Superbike manages to cobble together the best sports bike magazine in the world every month. It's all here - the road tests, the track action, the long-termer bike tests, the centerfold shoots, big Al's baking tips, well, maybe not those but we'll talk about everything else. Citizen Kane? Battleship Potemkin? Dude, where's my car? They are all unquestionably far, better, films than this - but do they feature some of the finest motorcycles ever built? No, they do not. This DVD will fill in the gaps so disappointingly evident in the works of Messers Wells, Einstein, and Leiner.

This film concentrates on a few of the many workers at a life insurance company in Atlanta, Georgia. It examines their job satisfaction, working conditions, as well as relationships with other workers.

A satire about “thrill seekers” who recklessly ignore basic safety rules when it comes to workplace safety.

Workplace is a documentary made by Gary Hustwit, in association with R/GA, for the 2016 Venice Architecture Biennale.Workplace is about the past, present, and future of the office. It looks at the thinking, innovation, and experimentation involved in trying to create the next evolution of what the office could be. The film follows the design and construction of the New York headquarters of digital agency R/GA (in collaboration with architects Foster + Partners) who have been experimenting with how physical and digital space can better interact. Digital technology has radically changed how and where most of us work, but the physical spaces we work in haven’t kept up with that transformation.

The joys of 1960s modern education - as seen at a not-exactly-typical local comp.

Joon-hee, a fourth-year assistant manager at Hanyang Heavy Industries gets assigned to the human resources department. As the shipyard suffers a dearth of orders, the creditors instruct the HR to restructure the company. Although reluctant to do so, the team supposes that it is inevitable for keeping the company afloat. The HR proceeds to make the restructuring as smooth and efficient as possible. In an attempt to set the criteria for dismissal in company’s favor, the team first tries to elect employee's representatives who will cater for the demands of management. Some of the so-called blacklisted employees who are well aware of the conventional procedure start to put on a brake…

The twisted tale of Kenneth, socially insecure technical writer who forms an obsessive relationship with "Nikki", an anatomically accurate silicone sex doll he orders over the Internet.

A group of optimistic British Millennials compete for a bullshit corporate job title. What could possibly go wrong?

In her many years as a social worker, Emily Jenkins believes she has seen it all, until she meets 10-year-old Lilith and the girl's cruel parents. Emily's worst fears are confirmed when the parents try to harm the child, and so Emily assumes custody of Lilith while she looks for a foster family. However, Emily soon finds that dark forces surround the seemingly innocent girl, and the more she tries to protect Lilith, the more horrors she encounters.