Chronicles the musical career of British post-punk art rockers Wire.

The trajectory of the Brazilian punk band Plebe Rude is told in an acid and good-humored tone. Through internal dialogues, the members and contemporary characters of the phonographic industry expose differences, exorcise hurts and analyze how changes in the Brazilian scenario in recent years. The group draws a musical panorama from the events of the 70s and 80s, the group's most successful period alongside the biggest names in national rock.

When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

No description available.

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

The story of the making of this remarkable album is told here via exclusive interviews with band members James Hetfield, Lars Ulrich, Kirk Hammett and Jason Newsted, archive footage and performance, and contributions from producer Bob Rock. We revisit the original multi-tracks of the album, as well as listen to previously unheard demo recordings. Featuring the five singles from the album, Enter Sandman, Sad But True, "The Unforgiven", "Wherever I May Roam" and "Nothing Else Matters", this is the compelling story of one of the biggest selling albums of all time, a true Classic Album.

Meet The Plastic People of the Universe, the avant-garde, jazz-rock, Sun Ra meets Velvet Underground, Czech revolutionaries. A tribute to the band that against all odds used the power of their music to help topple their oppressive government.

Follow pop provocateur Lady Gaga as she releases a new album, preps for her Super Bowl halftime show, and confronts physical and emotional struggles.

Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.