A duo of street performers learns how sound and picture work together to create amazing cinema experiences.

A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.

Life drums the playfulness out of a boy as he grows up.

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.

Inspired by the Greek myth of Prometheus, a Titan who created the first mortals from clay and stole fire from the gods, Prometheus' Garden immerses viewers in a cinematic universe unlike any other. The dark and magical images of this haunting film unfold in a dreamlike stream of consciousness revealing an unlikely cast of characters engaged in a violent struggle for survival.

This surreal animated short depicts an impossible synchronized dive.

A mushroom embarks on an epic adventure to find its purpose in life.

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.