So Big

In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a Broadway show featuring songs written by her beau, and of course, in which she will star. Trouble is, she doesn't realize her uncle's been wiped out by the Stock Market crash.

A wealthy broker, his loyal butler, and a poor street seller all see their social positions change in a twist of fate.

The story follows the son of a millionaire from the 1920s to the 1960s. After losing his fortune in the stock-exchange crash, he teams up with an equestrienne and becomes a circus clown.

A scatterbrained heiress opens her home to a succession of unemployed actors and vaudeville performers, then decides to produce her own show, much to the consternation of her father, her sister and her sister's boyfriend, who is actually after the young girl's money.

A story about an adolescent years of Tyoma - a young boy from Russian countryside...

In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Yonatan, Michal's dad, turned orthodox and left her family when she was very yang. 7 years later, when he appears at her mother's funeral, all the anger and tensions in the family are brought up again. Michal on the other hand, is very curious, and tries to find a way to communicate with her father. They find common interest in competitive swimming, a hobby that Michal picked up, and which her father, as it turn out, used to be a serious contestant in.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

A princess in disguise, Oshichi launches an investigation to reveal the truth about the disappearance of young women in Edo.

When Ayumi Mastuda (Eiko Koike) worked as a freelance writer she met Chinese cameraman Gyoukou (Kingone Wang), who worked at the same publishing company in Tokyo. They married 5 years ago. After his employer's went bankrupt, Gyoukou and Ayumi Matsuda moved to Ishigaki Island. Gyoukou also decided to apply for naturalization as a Japanese citizen. In order to prove they are real married couple they have an interview at a local Bureau of Judicial Affiars branch. As the interview goes along, they find it more difficult than expected ...

A disillusioned young woman becomes a serial killer who targets wealthy land-owners, and a brilliant detective must use his unusual neurological condition to track her down.