The documentary film is about the Film and Television Institute of India including the views expressed by students, staff and Ex-Director Shri Jagat Murari. The filmmakers from the institute are 'Rays of Hope' for the alternative or New Indian Cinema.

With the severe drought and lack of jobs, Aagaswadi village’s youth are forced to leave home for the city. Desperate for water, Bhimrao digs a well. This documentary follows the people of Aagaswadi’s struggles against the drought and its negative impact.

With only music and images, this film captures the grim struggle for existence of a family of unskillled labourers working on the construction of a new building.

Two siblings escape into a world of adventure aboard a broken ship—until growing up starts to pull them apart.

Rajan, a weary factory worker, endures grueling shifts and a volatile home life, drifting through sleepless nights in the city as he tries to reclaim the rest that always seems just out of reach.

The protagonist is a young man staying in a city. He is sensitive, melancholy and a dreamer. He is unable to communicate his feelings to the woman he loves. Everything seems to have been entangled in a mesh, irrespective of these characters. He cannot even differentiate between his capability to love and his passionate desires which have been repressed. That is how he is confused and with his ideals and morality he is living outside his own time and inevitably suffering. His self criticism is endless. He dreams about whatever he lacks and about his ideals. The dreams have led him to the domain of non-communication. His repressed passion along with his self criticism has made him bored with life. Now at every point he expects something exceptional.

Maya is a teenager young girl who is working as a housemaid in a rich family. She is required to do all household work and also look after a small child. She toils from dawn to dusk and cannot get peaceful sleep. She, therefore, wants to get rid of it. One night, she kills the child in the cradle and then, relieved of her burden, quietly sleeps on the ground.

These poor people find that their lives, hopes, desires and even dreams are ruled by the powerful. They are deprived of their natural spontaneity and thought process. As a consequence, the victim's action and reaction is programmed and they are performed mechanically as a ritual. In this film, a family of three falls victim to a middle-aged officer, who controls their lives. The woman is thrown in prison, the man becomes a toy in the hands of the officer and their child looks on innocently.

The film looks into the inner layers of the mind and heart of a young man who has loved a girl but has lately developed some sort of misunderstanding with her. Inspite of the youthful love and affection they have had for each other, the girl suddenly refuses to meet him anymore. The boy is at a loss to understand why.

a light comedy about a slovenly young man warned in the nick of time of the imminent visit of his fiance and prospective father-in-law. In the process of tidying up his room, Ravi's frantic efforts to start from one side end up in disturbing the other. Now, Ravi is certain that he will never receive the old man's approval to marry his daughter. But being a dentist, the old man approves Ravi for his well-set teeth.

A man leaves his house. Another applies for leave in his office. A third finishes his tea. Another gets himself shaved. All four are fresh entrants in the world of crime: kidnapping to be more precise. But the father of the kidnapped boy refuses to pay up. The son has already played this trick before and collected good ransom. The father does not believe this time it is a real thing; The kidnappers get desperate. The son has in idea. The plot thickens.

People are involved in daily encounters without ever being aware of how they are connected with one another. A taxi reveals all.