Tips for what to expect when taking a vacation aboard a cruise ship, and how to make the most of the trip.

It's 24 hours of pure exhilaration, complete exhaustion, and it's not for the faint of heart or the ill-prepared. It is the legendary 24 Hours of Le Mans. But before you win it, you have to master finishing it. This film chronicles the dedication, the determination and the spirit required to not just survive 3,000 grueling miles, but to be in a position to win one of the greatest races in history.

From his humble beginnings in his hometown of Sheffield, England, Steve Peat has established himself as one of the worlds most iconic cyclists. Peaty has been competing at the top level in his chosen sport of downhill mountain bike racing for the past 23 years, longer than the lifetime of many of his current competitors. Through 20 years of archival footage and photos and intimate interviews with Steve, his family, close friends and competitors, Won’t Back Down takes viewers on a captivating tour of the history of the sport of downhill mountain bike racing and offers a never-before-seen view into the life and legacy of this enduring icon.

24 years ago, Nick's parents started a small vegetable farm in Sperryville, Virginia, and he spent his childhood among the farm's fields and flowers. This summer, Nick is back at the farm to visit for a month and a half. And he's trying to make a movie about it.

Official review of the 2006 MotoGP™ season, including highlights from all 17 circuits.

Mr. Lin is a happily retired man who spends his time keeping company with his toddling grandson, walking his dog, and playing golf with his in-laws. Recently, he has been obsessed with houses with river views. In Lin's city of demolitions and reconstructions, money-making investors buy and sell houses at unaffordable prices. Above the skyline of Taipei, will the boundaries between daydreams and reality ever blur?

"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

Buzz One Four chronicles the ill-fated flight of a Cold War B-52 Stratofortress loaded with two 3-4-megaton nuclear bombs that crashed 90 miles from Washington DC in 1961. Information suggests that detonation came closer than official reports indicated. The full details of the crash have remained classified and otherwise repressed by the Air Force, but the filmmaker, Portlander Matt McCormick, grew up with this story because the pilot was his grandfather. As McCormick recounts the history of the era, aspects of this crash, and other little-know nuclear-weapons accidents, he leaves us wondering if the U.S. was in greater danger of nuking itself than of being attacked by the Russians.

We follow the Newman-Haas (Andretti) racing team through the process of building, testing, and racing for a season. This includes extensive race speed on-track footage, including some pre-race footage with a full squad of cars. From time to time, we check in with a small shop building/restoring one of the first roadsters Mario Andretti raced; the finale includes him taking it for a spin.

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

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