To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.

The first of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 1: Eskimo Summer is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Kugaaruk region (formerly Pelly Bay) of the Canadian Arctic. The original films of the Netsilik series attempted to recreate the traditional lifestyle of Netsilingmiut living there. They show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 1: Eskimo Summer shows how Inuit families prepare for winter by hunting seal, birds and caribou and by fishing for Arctic Char during the extended hours of daylight.

Two parallel stories are gradually unfolding the everyday life of two very different persons - that of 86-year-old Sara and 7-year-old Mihka - both residing in Guovdageaidnu - Kautokeino, in the middle of the Norwegian arctic tundra, through the drastic change of the arctic seasons and the passage from the long winter’s darkness to the never-ending light of the summer season.

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

Wildlife cameraman Gordon Buchanan travels to the frozen north, deep inside the Arctic Circle, to meet the ancient Sami people and the animals they hold so close - reindeer.

This film shows the splendor, enormous scope and indescribable beauty of this untouched land far to the north of Alaska, one of the last havens for caribou herds and polar bears. Shot over a period of four years, this film offers a unique insight in the lives of the most charismatic arctic animals.

In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.

The beauty of the Arctic is breathtaking. For as long as we can remember, the Arctic has been associated with inhospitable cold. But the climate is changing, and with it the northern polar region, which begins beyond latitude 66.5 degrees north. Climate change is now happening four times faster north of the Arctic Circle than on the rest of the planet, making the future outlook dire. At the moment it is still possible for polar bears to raise their cubs, but hunting is becoming increasingly difficult on the drastically shrinking pack ice. The disappearance of the ice also affects the marine fauna. The wintry ice bridge between Canada and Greenland is threatened with collapse. The unstoppable melting of the permafrost, which has held the tundra together for thousands of years, is worrying. But the Arctic is still one of the wildest and loveliest regions on earth. A documentary visit to the Arctic - as long as it still exists.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

From the territories of the Arctic to the farthest reaches of the universe, Worlds of Ice shows us the astonishing omnipresence of ice.

Greenland, a semi-autonomous territory of Denmark, is currently at the center of international covetousness and tensions. In his rivalry with China for technological supremacy, Donald Trump has made the acquisition of this Arctic territory a priority in order to secure American control over rare earth elements, of which Greenland is believed to hold one of the world's largest reserves.