Adventures of the Road-Runner is an animated film, directed by Chuck Jones and co-directed by Maurice Noble and Tom Ray. It was the intended pilot for a TV series starring Wile E. Coyote and the Road Runner, but was never picked up until four years later when Warner Bros. Television produced The Road Runner Show for CBS from 1966 to 1968 and later on ABC from 1971 to 1973. As a result, it was split into three further shorts. The first one was To Beep or Not to Beep (1963). The other two were assembled by DePatie-Freleng Enterprises in 1965 after they took over the Looney Tunes series. The split-up shorts were titled Road Runner a Go-Go and Zip Zip Hooray!.

A child's play turns out to be a nightmare when they set out to challenge an urban legend.

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A documentary by vatican media about Robert Francis Prevost’s years of missionary work in the Latin American country. The film travels across Peru to Chiclayo, Chulucanas, Callao, Lima, and Trujillo to explore the life of the Augustinian Pontiff through the voices and testimonies of those who knew him, worked alongside him, or received his support as a missionary and shepherd.

Bernard, an executive for a big company, tries to get home in time for his wedding but is caught in the middle of a mass suicide. He saves a sect member who then follows him like a puppy, and is chased by the sect leaders, two over-the-top crooks with bloated egos and a craving for money.

Seven men, after getting acquainted in prison and finding out that all of their lives have been affected by the same con man, decide to raid the fraudster's life savings.

The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.

If you get the chance to fulfill your lifelong dream, you shouldn't hesitate for long and must seize the opportunity. That's how idealistic midwife Irene Lieblich sees it. Her big dream is to open her own birth center. She has already found the perfect place for her project: a beautifully situated property on the outskirts of a picturesque Bavarian town. It all seems like a sure thing - the application has been submitted to the local council, the building finance is secured thanks to an unexpected inheritance and Irene has already rented a small terraced house for herself and her nine-year-old daughter Katja. But then, to Irene's horror, another interested party turns up for the property: funeral director Siegfried Schroff. He also wants to fulfill his dream of opening a private cemetery in this rural idyll.

a film by Tony Y. Reyes.

Swinging playboy Grand Duke Nicholas Goduno, a direct descendent of the Romanov family who were overthrown in the Russian Revolution of 1917, learns that his family's crown jewels will be exhibited at a London museum and plots to steal them. To this end, he gathers a crew of beautiful but dangerous women, led by Bridget Rafferty, to assist in his plot against Popov, the Soviet functionary in charge of the exhibit.

Jacques and Martine, an ordinary bourgeois couple, invite to dinner a friend whom they have not seen the last ten years. Since then he has become a media star and everything has to go just right at dinner.

Jonathan Miller set his well-known production of The Mikado, staged for the English National Opera, in a British seaside resort of the 1920s. The result, complete with a chorus of gentlemen of Japan as cartoon-like British peers, emphatically underscores the Englishness of the satire. The occasional non sequiturs, like a bunch of gentry dressed for Ascot and singing in Japanese, are loonily fun, and no more absurd than the fantasyland Japan that Gilbert and Sullivan invented. The time frame, though, seems little more than an excuse for a smart black-and-white production design.