
Garmarna: From Hamlet to Hildegard
Documentary · Music
Overview
A profile tracking the history of the Swedish band Garmarna, including interviews and music video clips, from the inception of the band in 1990 to their "Hildegard von Bingen" recording in 2001. Their songs are mainly old Scandinavian ballads presented in a unique soundscape spiced with a haunting disturbing aspect. Chapbook stories who sneak up on you through eerie backwards fiddle, strings, programming, soundscapes, then the beats kick in, banging for dear life, and the cool, authoritative voice of Emma Härdelin floats over the top.
Top Cast
Stefan Brisland-Ferner
Stefan Brisland-Ferner
Strings/Programming
Stefan Brisland-Ferner
Strings/Programming


Emma Härdelin
Emma Härdelin
Vocals/Violin
Emma Härdelin
Vocals/Violin
Jens Höglin
Jens Höglin
Percussion
Jens Höglin
Percussion
Gotte Ringqvist
Gotte Ringqvist
Guitars
Gotte Ringqvist
Guitars
Rickard Westman
Rickard Westman
Guitars/e-bow
Rickard Westman
Guitars/e-bow
Iain Ross
Iain Ross
e-bow
Iain Ross
e-bow
Similar Movies

After heroically defeating both the Snow Queen and the Snow King, Gerda still cannot find peace. Her dream is to find her parents who were once taken away from them by the North Wind and finally reunite the family. Thus, Gerda and her friends embark on an exiting journey to find her parents and encounter new challenges along the way: they discover an ancient magical artifact of the trolls, the Stone of Fire and Ice. From that moment on, things don't go according to the initial plan...Will Gerda be able to tame the mighty forces of the magical elements and get her family back? The answer will be reveled in 2016. This is a story which encompasses everything you love about Wizart: kindness, bravery, friendship, mystery, love of one's family, and a happy ending, of course!

A mighty king has lost his family because of the Snow Queen. He finds a way to expel all magic creatures from his world to Mirrorlands. Gerda and Snow Queen, along with all wizards and magicians, have to forget their offenses and disputes to defend their right to exist and not to allow fairytales to disappear from our lives.

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded

















