In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Jack is the fastidious manager of a local supermarket. The harmless but disruptive actions of his customers frequently give him headaches, which he remedies by holding a can of frozen juice against his forehead. At home, however, Jack is consistently kind, loving, and patient with his wife and daughter. One day the child brings home a stray dog, and his life is turned upside down.

Ben is an art college student in London, whose imagination runs wild as he works the late-night shift at the local supermarket. What do he and his colleagues do to pass the long, endless hours of the night?

A dark and disturbing adaptation of Charlotte Perkins Gilman’s controversial gothic feminist horror story about patriarchy and hysteria. Jane, a writer and young mother, is prescribed a rest treatment by her physician husband John, who takes her to a remote country estate for the summer. She becomes obsessed with the peculiar yellow wallpaper in the bedroom he has chosen for her. In her isolation, she secretly writes about a woman trapped in the wallpaper—that she must free.

A group of idealistic but frustrated liberals succumb to the temptation of murdering right-wing pundits for their political beliefs.

Jessi is haunted by a strange shadow. Her cousin thinks she's stressed since break up with Nino. She meets Kevin who makes her feels safe, but the terror worsens.

Why won't the light turn off?

On a quiet night, a young couple find themselves caught up in a nightmarish ordeal after they witness a murderer disposing of a body in this claustrophobic thriller.

As the Day of the Dead celebration approaches the barrio of East Los Angeles, Caroline is challenged to control the horrifying legend of her ancestor, the "Candyman".

A group of five led by Julie set up their filming equipment in the hotel of the derelict town of Goldfield, hoping to capture footage of the ghost of Elisabeth Walker, a maid tortured and killed in room 109. Troubled by visions, Julie discovers that a necklace, handed down to her from her grandmother, is somehow connecting her to this tragedy.