Flavia the Heretic

Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.

Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.

A Russian ballerina in Vienna tries to flee KGB agents and defect.

“In a world that often demands certainty, Dialogues des Carmélites invites us to sit with profound questions that have no easy answers: What makes a life worthy? How can we be truly prepared for our inevitable end? What does security mean when everything familiar is threatened? What sustains us when our institutions crumble? … Rather than imposing answers, the opera creates room for reflection on how faith manifests not as abstract doctrine, but as lived experience under extraordinary pressure.” — Louisa Muller, Director’s Note. Juilliard Opera directed by Louisa Muller. Matthew Aucoin conducts the Juilliard Orchestra. Performed and recorded on April 26, 2025 at the Peter Jay Sharp Theater. Dialogues des Carmélites, an opera by Francis Poulenc. Libretto adapted by the composer.

In the early 1200s, Dogen brought Chinese Zen philosophy to Japan, and established the Japanese Zen school of Buddhism. He taught that a person was capable of realizing Buddhahood within himself, by way of Zazen. Zazen is extended hours of sitting and meditating to achieve a state of “Mu” (nothingness, or empty existence).

A charismatic 17th-century French priest becomes the target of a sexually obsessed nun’s witchcraft accusations, which corrupt church and state officials are all too happy to exploit.​​​​​​​​​​​​​​​​

Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.

Cast out by his father, young Ondrej joins the Order of the Teutonic Knights, where he is raised by strict monk Armin. After years of hardship, Ondrej escapes from the Order when he is wrongly punished, and sets out for his former home. Arriving to discover his father to be dead, Ondrej now not only assumes control of his father's properties, but seeks to marry his former stepmother.

After leaving a wealthy Belgian family to become a nun, Sister Luke struggles with her devotion to her vows during crisis, disappointment, and World War II.

Sisterhood is powerful. Before leaving for a mission in Africa, Runa, a nun, visits her sister three years after entering the convent when her sister stole Runa's boyfriend. Runa comes to forgive and to help her sister make enough money buying and selling some convent property so she can marry. The old boyfriend has new women in his life, but he and the sister tell Runa they're a couple in order to keep the property deal. To make even more money, Runa's sister wheedles large gifts from various men she's stringing along. There are flashbacks to Runa's sexual awakening at the convent. But what are her real reasons to close this deal?

After the 1815 Restoration, an aging revolutionary finds himself reluctantly involved in an attempted insurrection in Southern Italy while growing increasingly disillusioned with his cause.

The High Royal Chamberlain is accused of treason and imprisoned. Even if the suspicion proves to be unfounded, the prisoner finds his life in danger, because the royal majesty must not admit error. If the unfortunate man had confessed, he could have been pardoned, but the Vice-Chamberlain refuses such a solution as a matter of principle... This historical story, which aspires to the dimension of a parable, takes place at the dawn of the reign of John of Luxembourg.