Clayton, at the age of nineteen, is convicted for a crime he did not commit. Ten years afterwards, after having taken all the abuses against him in prison, he decides to escape, without caring about the consequences.

Documentary about punk band Heavy Load, subject to the combustible flux of ego, ambition, fantasy, expectation and desire that fuels any emerging band, but uniquely made up of musicians with and without learning disabilities. This makes the band's survival a precarious negotiation between two different worlds - on the one hand the institutional timetable of day centres, work placements and social workers and, on the other, the chaotic slacker life of rehearsal rooms, studios and gigs. (Storyville)

This documentary recounts the dysfunctional state of the death penalty in the state of California by revisiting the crimes, arrest, trials and appeals of Lawrence Bittaker, a convicted serial killer who has been on death row at San Quentin since 1981.

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Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.

A recovering alcoholic and recently converted Mormon, Arthur "Killer" Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.

Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.

In the documentary Last To Know political prisoners, sent to jail for openly opposing the East German regime that existed until the German reunification in 1990, talk about their times of trial and their lives today. Neither they, nor their families have come to terms with what happened.

The lives of the late Bradford playwright Andrea Dunbar and Lorraine, one of her daughters, and the community of Bradford, in the 30 years since the 18-year-old Andrea penned a play about growing up in the community titled "The Arbor".

This documentary, made over a period of eight years, tells the remarkable story of an extremely influential rock'n'roll band. Starting from their mid-60's garage band roots (sounding amazingly like the Sonics), the Motor City 5 deveoped into an icon for a brand of loud, crushing music reflecting their industrial roots. Even if you don't care for their music (and you're bound to like even a few of their songs), their story is fascinating. It combines 60's protest, youthful braggadocio, and a style of music that would help carry one to the likes of Iggy and the Stooges (not to mention certain aspects of punk rock). This film is clearly a labor of love, combining extraordinarily rare live shows, still shots, a nearly-continuous backdrop of MC5 tunes, penetrating interviews with the remaining members and their spouses, and even FBI surveillance shots. It's the ultimate testimonial to a band that only gains in stature as time goes on.

On February 24th, 1969, two days before he turned 37, Johnny Cash led his traveling troupe behind the foreboding walls of the California State Penitentiary at San Quentin, long known as one of America's toughest prisons.

Survivors of violent crimes and prisoners incarcerated for murder connect to undergo astonishing transformations, liberating themselves from the debilitating constraints of trauma, and shattering preconceptions of "us and them."