Triggered by Russia's invasion of Ukraine in early spring of 2022, Ukrainian journalist and writer Ivan Avramov struggles to navigate his fluid identity and the shifting reality around him.

Siddharta and Fabrizio, one of them nine years old, the other one 65, are the core of a community that renounces every civilising comfort. We are their guests – for one summer.

Jung is a narrative documentary that follows the human and professional adventure of its protagonists, the Afghan people in the midst of civil war.

A reckoning of Nazi Germany’s planned execution of its own citizens with physical and mental disabilities whom they deemed useless to their society.

According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.

In the aftermath of war, an extraordinary professor brings hope to children haunted by trauma-induced nightmares.

“There was excitement in the air,” says Donga, now in his late twenties, describing his feelings when the uprising against Muammar Gaddafi’s rule broke out in 2011. He was 19, living in Misrata, and boldly went to film the fighting with a friend. A decade later, in a hotel in Istanbul, where he has been living since he was wounded in battle, he looks back on the past ten years through excerpts from his videos. And he reflects on how that period has affected him.

2010 documentary film on the Armenian Genocide by the Young Turk government of the Ottoman Empire during World War I. It is based on eyewitness reports by European and American personnel stationed in the Near East at the time, Armenian survivors and other contemporary witnesses which are recited by modern German actors.

Carne Ross was a government highflyer. A career diplomat who believed Western Democracy could save us all. But working inside the system he came to see its failures, deceits and ulterior motives. He felt at first hand the corruption of power. After the Iraq war Carne became disillusioned, quit his job and started searching for answers.

What are we talking about when we talk about negotiations? About the state's concessions to the Mafia in exchange for ending the massacres? About who assassinated Falcone and Borsellino? Of the eternal coexistence between the Mafia and politics? Between the mafia and the church? Between the Mafia and law enforcement? Or is there more? A group of actors enacts the most relevant episodes of the affair known as the Mafia-state negotiation, impersonating mobsters, secret service agents, high officials, magistrates, victims and murderers, Freemasons, honest and courageous people, and courageous people up to a point. Thus one of the most intricate events in our history becomes an exciting tale.

The war documentary Rivilotta (1943), directed by Turo Karto, was filmed in the winter of 1941-42. The film, produced by the Finnish Defence Forces, presents the goals of the Lotta Svärd organization and the different aspects of the Lotta Svärd's work.

The story of Shaista, a young man who—newly married to Benazir and living in a camp for displaced persons in Kabul—struggles to balance his dreams of being the first from his tribe to join the Afghan National Army with the responsibilities of starting a family. Even as Shaista’s love for Benazir is palpable, the choices he must make to build a life with her have profound consequences.