An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.

In the woods, a young woman and man scuffle as they fight for life. Gently lit and accompanied with a soundtrack of soaring strings, this film by Jessie Oldfield and Adam Murfet explores vulnerability, connectedness and a renewed sense of self among the autumn leaves.

Mindy suspects that her ex is up to no good.

Death takes centre stage and faceless spectators applaud the inevitable in a series of murderous dreams.

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

In this silent short film, we follow three stories grappling with grief. As the characters within these stories take action and process their feelings, we see the intertwining nature of these peoples lives.

The world shifts subtly while silent watchers already understand.

A political assassination leads to division and chaos.

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

A grieving choreographer tries to connect with her deceased partner through ritual dance, pushing her body beyond its natural limit until it breaks.

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .