In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.

A small town comes under the thumb of Martha, a ghost who returns to haunt the children who witnessed her death during a "game" of Ghost in the Graveyard as young children.

Sister Emanuelle and Sister Nanà go to meet Mr. Cazzabriga, who has a problem: his wild-child daughter, Monica, who he wants to send to a Catholic school to remove her from temptations around the house.

Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion.

Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really fighting over their father's care, or over his $10 million estate? Meanwhile, Werner must contend with his nutty supervisor, who insists that he only care for patients with full insurance. Can Werner sidestep the hospital's legal team and do what's best for the patient?

Two men, part tramp, part pilgrim, are on their way from France to Santiago de Compostela in Spain. On their way, they meet a vast assortment of characters—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.

Father O'Malley is sent to St. Mary's, a run-down parochial school on the verge of condemnation. He and Sister Benedict work together in an attempt to save the school, though their differing methods often lead to good-natured disagreements.

At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional military structure.

A young orphan wakes up after wetting his bedsheet. Living under the supervision of nuns, he'll spend night and day attempting to amend his "mistake".

A young nun's encounter with the underworld of child labor in Sumba restores her sense of purpose in life.

“In a world that often demands certainty, Dialogues des Carmélites invites us to sit with profound questions that have no easy answers: What makes a life worthy? How can we be truly prepared for our inevitable end? What does security mean when everything familiar is threatened? What sustains us when our institutions crumble? … Rather than imposing answers, the opera creates room for reflection on how faith manifests not as abstract doctrine, but as lived experience under extraordinary pressure.” — Louisa Muller, Director’s Note. Juilliard Opera directed by Louisa Muller. Matthew Aucoin conducts the Juilliard Orchestra. Performed and recorded on April 26, 2025 at the Peter Jay Sharp Theater. Dialogues des Carmélites, an opera by Francis Poulenc. Libretto adapted by the composer.

France, beginning of World War II. Hélène Studler is a nun who has been dedicated to the care of orphans and the abandoned people. But the times have changed, the people are living a whole revolt, the Germansoldiers have entered their city and the reality that now faces far exceeds the harshness to which they are accustomed: Hélène discovers that near her locality, the Nazis have installed a concentration camp. Along with some people of the city, several of her Sisters Daughters of Charity plot a whole plan to free the captives from their tragic end.