James Brieson, a wealthy stockbroker, ruins Hutch Valiant, who soon after dies of the shock. Valiant's son Steele returns from the Northwest, where he won his fortune, just before his father's death and decides to devote his life to the cause of revenge.

Miner Dan Stuyvesant finally strikes it rich, but on his way to report his claim, he is shot. When Jack Dedlow, the head of a gang of outlaws, hears this news, he rides to Stuyvesant's cabin intending to secure the claim for himself. There the outlaws find Stuyvesant's daughter Hilda, the sweetheart of Tom Flynn, and are about to draw cards for her when Dago Sam pulls out his guns and spirits her out the door. Because Tom is his only friend, Sam determines to protect Hilda from the gang, but when Tom suspiciously questions his intentions toward Hilda, Sam decides to live up to the town's poor opinion of him.

Robert "Bob" Wesley horrifies his father, Admiral John Wesley of the Naval Advisory Board, by failing his examination at the Annapolis naval academy. Bob seizes the chance to redeem himself, however, when he overhears Hanson, the butler, plotting with German agent Count Von Ornstorff to deliver his father's plans for the Atlantic coastal defenses to German Baroness Von Hulda. In Baltimore, Bob meets the baroness' ship and, with the aid of an old college professor, makes her his prisoner. Having impersonated a woman in the college play, Bob disguises himself as the baroness, rendezvous with the spies, and obtains the plans.

Dick Evans is the corrupt boss of a rough-and-tumble munitions town called Powderville. He hires his friend, Jack Ripley, to establish a newspaper, intending merely to further his own financial ambitions; however, Jack envisions The Trumpet as an instrument of good and soon persuades Dick to clean up Powderville.

Rosarita, a young relative of the powerful Doña Perfecta in the small Spanish village of Orbajosa, has been betrothed since infancy to her cousin, Pepe Rey Don Jose, although the two have never met. When Pepe comes to visit Rosarita, she immediately falls in love with him, but his offhand remark about the lack of enterprise in the small town alienates Doña Perfecta, and the old woman becomes determined to prevent the marriage.

After his father dies amidst rumors that he was an oil swindler, Matthew Denton goes to Texas to discover the truth. But he has been spoiled by his mother and he has a hard time adjusting to his rough surroundings.

The wide-ranging storyline of The Melting Pot takes its characters from the Jewish ghettoes of Russia to the Lower East Side of New York.

A leader in the Russian nihilist movement has an American pretend to be her husband in order to cross the Russian border.

No description available.

When her cotton crop is burned, Barbara Pelham, a beautiful southern girl, comes to New York to find work as a fashion designer, staying with Mrs. Kemp, a woman she meets on the northbound train. In Mrs. Kemp's house, Barbara encounters Peter Heffner, a wealthy stockbroker, and discovers from him that she has taken up residence in a whorehouse. There is a police raid, but Barbara escapes arrest and returns home. Heffner's son, Neil, goes south to inspect some family property and there meets Barbara, with whom he falls in love. They decide to be married, and she accompanies him to New York, where she meets the elder Heffner for a second time. He denounces her as a whore, but Barbara goes to Mrs. Kemp, who explains the misunderstanding to everyone's satisfaction.

An American millionaire visiting London falls in love with a young aristocrat and elopes with her, pursued by a rival suitor.

Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film. The 1922 film The Hypocrite was shown within Deceit as a film within a film.