Living in Paris, journalist Bernard has devised a scheme to keep three fiancées: Lufthansa, Air France and British United. Everything works fine as long as they only come home every third day. But when there's a change in their working schedule, they will be able to be home every second day instead. Bernard's carefully structured life is breaking apart

Ruthless Chicago newspaper editor Walter Burns resorts to dubious motives in order to get top reporter Hildy Johnson to cover one more big crime story before retirement.

Burdened by a family secret, Adam White lands a job as a newspaper advice columnist. Little does he realize that it's all part of a nasty desire by cynical editor William Shrike to crush the souls of his underlings. Adam feels his readers' pain, and eventually, he takes an assignment to meet with Faye Doyle, who is exasperated by her crippled husband. When Faye tries to seduce Adam, he must choose between his job and his girl.

A crusading newsman starts up a tabloid with a gangster as his 50-50 partner.

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?

A short film about the serene and dream-like town of Squallitch, Greater London. Introduced by British filmmaker, Alan Brown; scrutinised by Guardian columnist, Randolph Lloyd Kopecky; later rebutted by Alan Brown and even later surrebutted by Randolph Lloyd Kopecky.

Hard-boiled newspaper reporter Larry Doyle (Robert Armstrong) goes a bit too far in celebrating a work bonus and wakes up on a train bound for St. Louis with only a buck on his person. To remedy the problem, Doyle pawns the revolver he's carrying. When the gun is subsequently used in a murder, Doyle's problems only multiply. In the meantime, he's also fallen in love with a comely stranger (Maxine Doyle) he convinced to impersonate his wife.

A blundering rookie reporter runs into some unexpected difficulty when he is assigned to cover the police beat.

Managing Editor Brad Bradshaw refuses to run a story linking the disappearance of Frank Canfield with embezzlement of the bank. He considers Frank a straight shooter and he goes easy on the story. Every other paper goes with the story that Frank took the money and Brad is demoted, by the publisher, to the Heartthrob column - writing advice to the lovelorn. After feeling sorry for himself for two months, he takes the column seriously and makes it the talk of the town. But Brad still wants his old job back so he will have to find Canfield and the missing money.

In this mystery, a newspaper executive and three of his colleagues conspire to have the owner of the highly-respected London Sun committed to an insane asylum. The hapless publisher manages to escape. Soon after, the four collaborators begin dying one-by-one. Oddly their obituaries appear in a rival publication before they are actually killed.

Jimmy Jump is a cracked reporter at a behind-the-times daily newspaper. He also happens to be in love with the managing editor's daughter. It's Monday, April 1st and the paper's editorial staff has a great deal of trouble telling the difference between April Fool's jokes and real events.

The conflicting views of two leading citizens in a small town are reconciled when they come across a promoter who is planning to defraud the town. He is reformed by the daughter of one.