An explosion in one of the largest chemical plants in Europe, the Petrochemical complex in Tarragona, triggers the labour struggle of a group of workers who demand what is fair for everyone.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

A narrative by Puneeth Rajkumar aka Appu which explores state of Karnataka - the land, its culture and traditions, it's social issues and even it's forests, all through his curious eyes. The film is almost Appu's own journey of discovery as he understands the rich flora and fauna of the state.

In 1975, as America faced social and political upheaval, filmmakers turned chaos into art.

Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.

In his contribution to the On Art and Artists interview series, Nathaniel Dorsky (b.1943) begins by discussing his childhood love of the John Ford film Stagecoach and its influence upon his decision to make films while attending Antioch College. Describing the affinity he developed for work operating at the intersection of film materiality and personal language, Dorsky explains how he developed his philosophy of the “devotional film” and the “microcosmic viewer.” Dorsky likens his practice to Buddhist sculpture, referring to himself as a “Japanese poet continuing aspects of the ethos of the Marxist revolution.” In the interview, the artist describes his use of the screen as an “altarpiece for the image” and emphasizes his use of editing to create works which “harmoniously coalesce.” Interview conducted by Jeffrey Skoller in May 2000, edited in 2014.

An account of the life and work of the Polish writer Stanisław Lem (1921-2006), a key figure in science fiction literature involved in mysteries and paradoxes that need to be enlightened.

Spain, early 20th century. As a child, Leocadia Cantalapiedra was dazzled by a new art: cinema; but she lives in a society where directing films is something only men can do.

Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.

Told in the form of a mock documentary in 92 short parts, nineteen million people are left obsessed with birds and flight following a strange occurrence. A documentarian analyses the lives of all the survivors whose surnames begin with FALL to uncover the truth behind the event.