Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

A middle-aged husband of a younger woman finds her youth intimidating to the point that he cannot become aroused. His solution involves the introduction of his daughter's lover to his wife.

An aging foundry patriarch, gripped by terror of nuclear annihilation, tries to uproot his family to Brazil. When they petition to have him declared incompetent, a family-court counselor witnesses his obsession slide into ruin—and asks whether ignoring the atomic threat is any saner.

In a small Japanese village at the end of the 19th century, a rickshaw driver's wife takes on a much younger lover and the two conspire to murder him.

Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.

On the surface, the Kyobashis appear to be a happy family. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

The story is set in 1970 during the time of the first EXPO in Japan. The film’s main figure is a miner who suddenly becomes unemployed because the mine he worked in was shut down. He decides to resettle with his whole family to Hokkaido in northern Japan and start a new life as a farmer.

Yuichi Koga is an upper-class business executive, running his own adult video company, and living a successful life with his wife and daughter. Outwardly, his family seems really happy, but in reality Yuichi enjoys sex with everyone but his wife Chikako. One day, he gets a phone call from a woman named Sanae, an old elementary school classmate of his.

After the closure of a coal mine leaves her husband unemployed, Fumiko travels from Kyushu to Kyoto with her daughter Kimiko, and they become hostesses at a cabaret.

A greedy, materialistic family attempts to cover-up the embezzlement committed by the son while keeping their other schemes active. They discover there are other, equally conniving players involved.

A Japanese family is torn apart by the tensions of an avoidable nuclear world war between the superpowers.