A father and daughter visit a desolate stretch of road rumored to be haunted by the ghost of a dead motorcyclist.

A cautionary tale about sticking your nose where it doesn't belong.

Le Havre, France. Pablo, a young drug dealer, has a close relationship with his sister Appoline, with whom he shares a passion for an online game called "Darknoon." When Pablo falls in love with a mysterious man named Nuit, he abandons his sister, who must finish the game alone. At the same time, Pablo and Nuit get into trouble and become the target of a rival gang.

The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.

2ⁿ is a story about the exponential growth of numbers raised to powers. Part of the Mathematica Peep Shows, one of five films made to accompany the Mathematica: A World of Numbers and Beyond exhibition at the California Museum of Science and Industry and the Museum of Science and Industry in Chicago.

This film is an exercise made for the Academia Internacional de Cinema "creativity process" class using archive footage and editing to create relation between images to convey a message. In May 2019 brazillian pro-government protesters ripped the banner "In Defense of the Education" from Federal University of Paraná , placed by activists in favor of public education and against the curtailment of expenditures of the Ministry of Education, which blocked 30% of the discretionary funds of universities and federal institutes.

During a day at the park, two photographers connect over their love of taking pictures.

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A young pawn from the white team progresses on the chessboard where she quickly faces a piece from the opposite team.

Taking one of the world’s most popular children’s songs as a sample, this video slowly reveals the latent violence embedded in the culture addressed to kids. This is a single video take, similar to a photograph, in which a tiny instrument is left to self-unwind with so much tenderness while the song’s story of almost carnivorous nature is told.

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A series of numbers that form infamous years that are uttered in a repetitive pedagogical litany. Ominous dates as a correlate of forgotten apolitical portraits. Portraits of a remembered royalty whose wealth was made possible by infamous times. Political faces accompanied by their corresponding dates. Peaceful figures whose placid portrait rests on the automated civilizational barbarism. This is part of the educational film cycle.