
Toscanini Volume Three The Television Concerts (1948-52)
Overview
To hear is not the same as seeing and hearing! To watch Maestro Toscanini conduct this opera is a revelation. This man is a direct link to Verdi, Puccini and other great opera composers. He did the premier performances of many major operas. His tempos, phrasing, etc. must be considered definitive. I was mesmerized from start to finish. One will forget the soft black and white, and sometimes blurred images, the lack of subtitles, and the relatively limited sound frequency range, as the focus will be on what Toscanini is doing on the podium. Richard Tucker -- what can I say about Mr. Tucker? His performance was wonderful, clear, nuanced.
Top Cast


Arturo Toscanini
Arturo Toscanini
Conductor
Arturo Toscanini
Conductor
Richard Tucker
Richard Tucker
Radames
Richard Tucker
Radames
Herva Nelli
Herva Nelli
Aida
Herva Nelli
Aida
Eva Gustavson
Eva Gustavson
Amneris
Eva Gustavson
Amneris
Giuseppe Valdengo
Giuseppe Valdengo
Amonasro
Giuseppe Valdengo
Amonasro
Norman Scott
Norman Scott
Ramfis
Norman Scott
Ramfis
Similar Movies

Three colours, three moods, three registers. And yet Puccini conceived this triptych as a whole from the outset. He interweaves these three one-act operas, from Il tabarro, a drama of passion set on the quays of the Seine in the early 20th century, to Gianni Schicchi, a burlesque farce set in medieval Florence, and Suor Angelica, a mystical tragedy set in a 17th-century convent.

The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title. Spanish soprano Isabel Rey is her opponent Arminda, and Arminda's former lover, the melancholy Cavaliere Ramiro, is sung by Romanian mezzo Liliana Nikiteanu. Moretti's staging presents the action in a modern villa in a hierarchical world of the rich and famous.

When this sumptuous production by Giancarlo del Monaco opened in 1995, legendary tenor Plácido Domingo gave a riveting performance as the fiery revolutionary Gabriele Adorno, a tenor part. In the 2010 revival, he made history by taking on the baritone title role, one of Verdi’s most fascinating characters, and thrilling audiences with his multifaceted and gripping portrayal. Boccanegra is beset on all sides, juggling political adversaries bent on murder with his love for his long-lost daughter Amelia (Adrianne Pieczonka). James Levine’s conducting brings out all the color and surging emotion of Verdi’s magnificent score.

Witness the Zurich Opera's stunning production of Richard Wagner's masterpiece "Tannhauser," conducted by Franz Welser-Most and featuring Peter Sieffert (Tannhauser), Solveig Kringelborn (Elisabeth) and Roman Trekel (von Eschenbach). Initially produced in Dresden in 1845, "Tannhauser" instilled a sense of wonder in a few of Strauss's ardent friends and admirers, among them Robert Schumann and Franz Liszt. Opera buffs will love it.

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…














