A boy declares his love for his girlfriend, only to die the same night. He is brought back to life by his mother as a flesh-craving zombie, who sires more teen undead while trying to control his, er, appetite for his beloved.

Michael is a young boy living in a typical 1950s suburbanite home... except for his bizarre and horrific nightmares, and continued unease around his parents. Young Michael begins to suspect his parents are cooking more than just hamburgers on the grill outside, but has trouble explaining his fears to his new-found friend Sheila, or the school's social worker.

Reformed cannibal, Bernie Grisso re-discovers his appetite after being used as a pawn in a malicious game started by his neighbor Ashley, her rotten group of friends and two sadistic cops. Armed with his legendary family's sword and a ravenous midget guardian, Grisso sets out to teach his tormentors a lesson they won't live to forget.

In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.

Tom, a curmudgeonly Montauk mechanic, unexpectedly finds love online with Freckles, a spitfire outcast diabetic like himself. Their newfound happiness comes under threat when Tom’s lucrative beachfront property and repair shop becomes the target of an unscrupulous real estate agent, whose underhanded tactics emboldens the gentrified community to turn on this established resident lowering their property values. Based on true events, On The End features outstanding performances from Tim Blake Nelson and Mireille Enos as the inspiring working-class couple fighting against the power, greed, and corruption of a changing community, giving hope to take on and endure the fight when there’s everything to lose.

Happy family in the suburbs have unusual zest for life. Their secret? They're cannibals.

The Misled Romance of Cannibal Girl and Incest Boy is a super 8 short film of magnificent cavalcade of violence, gore and sexual mayhem!!!!!! With memorable imagery, a psychedelic soundtrack, and a cameo by Troma president and creator of the Toxic Avenger Lloyd Kaufman, Cannibal Gil and Incest Boy will not disappoint anyone looking for an original shocking piece of art.

Josie, Melody and Val are three small-town girl musicians determined to take their rock band out of their garage and straight to the top, while remaining true to their look, style and sound. They get a record deal which brings fame and fortune but soon realize they are pawns of two people who want to control the youth of America. They must clear their names, even if it means losing fame and fortune.

When bookseller Buzz cons Diana into thinking that his friend Stanley knows all there is to know about Africa, they are abducted and ordered to lead Diana and her henchmen to an African tribe in search of a fortune in jewels.

The financially strained and increasingly desperate, Lester Parsons concocts a brilliant get-rich-quick scheme; cruise the lonely hearts ads for rich women to fleece. Too bad then, that Lester’s also a psychotic cannibal who enjoys mutilating these lovelorn souls, via his trusty chainsaw, and using their flesh for his dinner. When a copycat killer threatens to bring him down, Lester must do all he can to prevent this new killer’s sloppy work from ruining them both.

Eight-year-old Kevin McCallister makes the most of the situation after his family unwittingly leaves him behind when they go on Christmas vacation. When thieves try to break into his home, he puts up a fight like no other.

America! Built on a better pill. Karly Hert has spent the last ten years selling drugs. Legally, that is. Karly is a pharmaceutical sales representative. She sells pills to doctors. She makes lots of money. She has a company car. She has a nice fat expense account. But there's a growing pit in Karly's stomach. Something isn't right behind the scenes at big pharma. Based on the director's decade working directly for the industry.