To realize its story of the little man up against the bureaucracy of the world, The Overcoat draws its asthetic inspiration from silent film era classics such as Chaplin's Modern Times and Fritz Lang's Metropolis. The Overcoat was inspired by a concept developed by co-creators Morris Panych and Wendy Gorling to create a play that could be told without spoken dialogue.

Soap-opera about a social-climbing Jewish man and his old-world parents who are heartbroken by his rejection of them. Young Morris Goldfish follows his immigrant father into business. His ruthless business practices cause him to become a big success, and he moves the family to Park Avenue. They go, but were happier back on the East Side. Morris is ashamed of this parents and his humble origins, but learns in the end that there is more to life than money.

A loyal German Shepherd dog follows his master to the French front in World War One.

A German Shepherd police dog and his policeman master track a gang of bank robbers, one of which is the dog's former abusive owner.

A wolfdog is wrongly accused of sheep killing. Based on the novel by Hal G. Evarts.

Prudence Cole is an unsophisticated Quaker girl being raised by her two aunts. Prudence is flirted with by snobbish Henry Garrison, who actually disdains the girl for her lack of worldliness and savoir faire. When Henry and his friends try to embarrass her at a posh resort, Prudence turns the tables on them.

Director Allan Dwan’s excellent use of New York locations enlivens a rags-to-riches tale that fully exploits star George O’Brien’s championship boxing prowess.

The engineer Karl Hartmann invents a new, gigantic brown coal excavator. He discovers that there are large deposits below his home country and decides to use the excavator there.

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust.

A hairdresser wins the lottery and decides to spoil herself by spending Easter at a mountain resort where she meets new people.

Directed by Alexandre Volkoff, 1924