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Over 98 days from August 20th to November 25th 2013, 2821 people from around the world sent 11,852 video featuring many different faces of Seoul. 154 were selected, edited, and made into a movie.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

In South Korea, 2002, the Democratic Party put the presidential nomination to a plebiscite for the first time. Amongst numerous candidates, the one who brought about the most unexpected result was a fringe candidate named Roh Moo-hyun.

The small county of Seongju staged protests against the THAAD. Young mothers led protests from concerns about their kids and the exposure to radiation. Gradually, they learn the system is faulty.

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The Christians of North Gando lose their country and leave their hometown, but gain the Gospel. The cross they hold in their hands is the symbol of daring for independence and a royal summon of the generation they have to endure. Historian Sim Yo Han retraces the footsteps of the late Father Moon Dong Hwan and finds meanings of the anti-Japanese independence movement hidden in various parts of North Gando.

The movie, which seemed likely to be a video study by a local researcher on comfort women in the military camp town, is becoming an increasingly fictional world, including visits by the dead, resulting in historical, fantastic and allegorical results.

Kim Dae Jung, who stands next to people in the middle of caotic history! A young businessman Kim Dae Jung recognized the victims of ideology. He decided to be a politician to make his country where people's politic and democracy are rooted. The price of being leave from a guaranteed future and take the first step on a bumby road was kidnapping, death threats, imprisonment, and a death sentence that shook him to the core, but even in his final moments, when he was sentenced to death, Kim never wavered. "Democracy will be recovered. I believe in it." The life of President Kim Dae-jung, a death row inmate who survived from the throes of death, four parliamentary elections, and three unsuccessful presidential campaigns, is etched into the modern history of South Korea.

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South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.