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As Isyak and his daughter Maya face the ups and downs of life, from losing a job to battling illness and the loss of hearing, their strong bond reveals the enduring power of love and family to carry them through the toughest times.

Diantha Ebberly travels with her parents to the edge of the Sahara to meet her longtime betrothed, Herbert Medford, whom she has never seen. She is rescued from a swarm of beggars by an "Arab," then meets him again when she slips out at night in native dress. They fall in love, but Diantha is abducted by Sheik Amud, then returned safely home by the "Arab." The next morning Diantha discovers her fiancé and lover to be one and the same.

Farid was three years old when his beloved father disappeared. The elders whispered that he had fled Morocco for another woman, never to return. Farid grew up in the shadow of this repressed absence, got married, and embarked on a promising career. Then, a letter from Montreal arrived. The truth came crashing down, cruelly, after decades of lies: it was at the request of Farid's mother that his father had left them, and it wasn't for another woman, but because he himself aspired to be one... So Farid set out to turn back time and meet the long-awaited mother he never met.

In the 1940s, São Paulo nightlife is the setting for Tezinho's love affairs. In love with Aninha, he needs to get away from the girl and ends up getting involved with other women, including an obsessive relationship with a prostitute.

The luminous Maria Corda stars as the eponymous Tesha, a celebrated Russian dancer who marries an Englishman (Thomas). The couple long for a child but after five years of happy marriage, remain childless. On a trip to Southampton Tesha succumbs to a brief fling with a stranger (Cavanagh), unleashing a barrage of unforeseen consequences and emotional turmoil. The superb cinematography is by the great German cinematographer Werner Brandes who worked on dozens of prestige British productions in the 1920s. Originally shot silent, sound was added in 1929.

In 1950s Connecticut, a housewife's life is upended by a marital crisis and mounting racial tensions in society.

In Kyoto a young kimono maker with traditional ideas gets involved with a married professor.

A female ‘gypsy’ – in the parlance of the time – must choose between helping her own camp or a kidnapped girl. The woman once fell in love with the local count. However, without hesitation, the count left her heartbroken for a rich aristocratic girl who seduced him. Years later, the count refuses to pay alms to the gypsy camp, so a couple of desperate gypsies decide to kidnap his five-year-old daughter. The scorned woman recognises her old beloved count in the child’s face and decides to do the right thing. (Stumfilm.dk)

Set in the late 1950s, childhood sweethearts are confronted with the realities of their relationship as adults and are forced to acknowledge that situations are not always what they appear to be. They must ask themselves what they are willing to sacrifice to live the American Dream. Inspired by the melodramas of Douglas Sirk, Heaven And Nature includes LGBTQ characters, themes of class and privilege, and a glaring look at the gaps in our collective memory when we view history through a nostalgic lens.

Reckless playboy Bob Merrick crashes his speedboat, requiring emergency attention from the town’s only resuscitator while a local hero, Dr. Phillips, dies waiting for the life-saving device. Merrick then tries to right his wrongs with the doctor’s widow, Helen, falling in love with her in the process.

Henry, a struggling Greenwhich Villiage artist, accidentally finds an invitation to Louise Gordon's coming out party. He goes to the party, falls in love with the pretty socialite, but soon decides to leave as he realizes his financial situation is not up to standards. An old friend recognizes him and encourages Henry into lying that he is a successful businessman.