A short film based on the book by Slovak author Pavol Zeleňák, "Keď sú tajomstvá iba služobné" (When Secrets Are Only Official). In four tragicomic short stories—banking, confessional, medical, and state secrets—the viewer learns what can happen when bank clerks, priests, doctors, and ministers reveal or abuse official secrets. Regardless of the reason for their actions, they can cause curious problems or even tragedy.

An anthology of eleven vignettes featuring star-studded casts of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.

The story of those who see and make films, and the cinema that brings them together.

An anthology of four diverse stories about identity and belonging through prism of love and loss, sexuality, marriage and wish to fulfill dreams.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the second of three parts, we follow Luper as he works in a cinema, giving him ample opportunity to cross paths with virtually every artistic device and dramatic character known to man.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the final installment, Luper continues his adventures as a professional prisoner during the later years of the Second World War and the Cold War.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. A Life in Suitcases condenses the six-hour trilogy into a single two-hour feature, and in doing so, accentuates the project as a filmic essay in multiple narratives, listings, sidebars, footnotes, commentaries and anecdotes; a project for an Information Age ready to understand that there never is a phenomenon called History, there can only be Historians, gatekeepers to vested interests.