
Triptych
Drama
Overview
A three-part short film of women's roles, power, frustration and desires. Three small movies that form a unit together. The first film treats the anxiety of being subordinate, the second film treats the frustration of being near somebody who wants to kill and the third film is about wanting someone.
Top Cast
Niki Nordenskjöld
Niki Nordenskjöld
the girl, Ann & Maria
Niki Nordenskjöld
the girl, Ann & Maria
Anna Källström
Anna Källström
the woman, Karin & Sara
Anna Källström
the woman, Karin & Sara


Figge Norling
Figge Norling
Ann's husband
Figge Norling
Ann's husband
Ulf Pilov
Ulf Pilov
Maria's husband
Ulf Pilov
Maria's husband
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Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Jack is the fastidious manager of a local supermarket. The harmless but disruptive actions of his customers frequently give him headaches, which he remedies by holding a can of frozen juice against his forehead. At home, however, Jack is consistently kind, loving, and patient with his wife and daughter. One day the child brings home a stray dog, and his life is turned upside down.

Darma is a visceral and unflinching short film that confronts the dark realities of abuse and power. With its brutal and blood-soaked sequences, the film delivers gripping action that heightens adrenaline, supported by dynamic and precise camera movements. At its core, Darma explores sexual abuse committed by those in positions of authority, individuals who not only perpetrate violence but also manipulate systems to conceal their crimes. The narrative also reflects on the power of media in shaping public opinion, and how such coverage can deeply affect the psychological state of survivors. With a runtime of 14 minutes, Darma is both urgent and impactful, pulling the audience into an uncomfortable yet necessary confrontation with truth, silence, and justice.















