ALEXANDER THE GRAPE, an unfinished cut-paper animated short from Jim Henson from 1965, relates the fable of a young grape with big ambitions who learns that it is better to accept yourself than to try to be something you are not. The short was reconstructed from film and audio elements; images from Jim’s storyboard fill in missing segments of the animation.

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Excerpts from an unfinished 1976 zombie-western anthology film by Wes Craven, in the style popularized by Amicus films, which were given an official home video release with The Last House on the Left, and placed in sections of an American version of the Italian film, Zombi Holocaust.

A short that follows the legend of Wilhelm Gorkeit of Tellikon (William Tell), the legendary archer and hero from Switzerland.

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.

A woman is brutally raped by four men, and she plans to seek vengeance. After five years, she hasn't gotten over it yet, and she and her friend are again raped by four men. This time, she tracks them down and finally has her revenge.

Detective Harry Hole investigates the disappearance of a woman whose pink scarf is found wrapped around an ominous looking snowman.

Ramkinkar Baij is an incomplete personality study or documentary on sculptor Ramkinkar Baij created by legendary filmmaker Ritwik Ghatak. He started creating the film in 1975. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak.

Something's Got to Give (1962) was an unfinished film starring Marilyn Monroe, Dean Martin, and Cyd Charisse, intended as a remake of My Favorite Wife. Production was plagued by Monroe's frequent absences due to illness, leading to her firing and rehiring, and the project was abandoned after her sudden death in August 1962, making it her final work.

In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.

An unfinished film is passed along from one friend to another. The dialog between them is a journey crossed by the swarming of the Great Eastern Brood X of periodical cicadas that prophetically emerge every 17 years in the United States, invoking a reflection of a post-pandemic present and our shared futures. A road movie composed of a chorus of voices (both human and non-human), the warnings of history, the power of nature and rebirth.

An early satirical anthology of socially conscious shorts.