Queen Bees

WE BELIEVE remembers the story of Bill Hanlin, who in 1963, coached the St. Marys Football Team to an undefeated and unscored season. The film also tells a modern day story of Coach Jodi Mote, who has coached the St. Mary’s Blue Devil’s high school football team for over two decades. The film shares their life stories and boasts three important things: faith, family, and football.

In Las Vegas, two best friends--a casino executive and a Mafia enforcer--compete for a gambling empire and a fast-living, fast-loving socialite.

Two women, Nic and Jules, brought a son and daughter into the world through artificial insemination. When one of their children reaches age, both kids go behind their mothers' backs to meet with the donor. Life becomes so much more interesting when the father, two mothers and children start to become attached to each other.

Two estranged cousins who never knew each other try to make amends for many generations of family dispute.

A photographer named Arun befriends Rajashekhara, a wealthy but lonely man who has resorted to drinking to quell his pain. Soon, Arun agrees to help him reunite with his estranged family.

A scorned woman dreams of revenge on the man who betrayed her.

After cantankerous and miserly Herbert Kalness insults his daughter's fiance and prospective in-laws at a dinner party, Mrs. Kalness devises a scheme to teach her husband a lesson in good manners.

Following the breakdown of his marriage, a self-involved man begins to embrace fatherhood.

Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.

This history talks about two different ways of seen a terrible situation. One is about guilty, how some times we are so inside ourselves that we don't realize that the people near to us could be feeling terribly bad. But it also shows that sometimes we feel guilty about something that wasn't in our hands.

A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family secrets, and redemption.

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