Fifteen years after the original Woodsboro murders, Sidney Prescott returns home to promote her new book about surviving trauma, only for a new Ghostface killer to emerge, targeting a new group of teens.

The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.

Lilleth makes a chilling discovery.

Director F.W. Murnau makes a Faustian pact with a vampire to get him to star in his 1922 film "Nosferatu."

A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.

Two years after the Woodsboro murders, Sidney Prescott acclimates to college life while someone donning the Ghostface costume begins a new string of killings.

As bodies begin dropping around the Hollywood set of STAB 3, the third film based on the gruesome Woodsboro killings, Sidney and other survivors are once again terrorized by another Ghostface killer.

A social worker recounts the case of Ella Jackson, a girl who sees a man standing behind her in the mirror

Young clerk Jonathan travels to Transylvania in order to meet with a mysterious count.

A Schmelzdahin short wherein a print of a portion of Nosferatu (including the iconic shot of the vampire on the boat) has been degraded and abstracted through the bacterialogical decomposition, disintegration, and chemical processes Schmelzdahin would use.

A few years after the death of his possessed sister, former exorcist priest Tom Lacroix is still racked with guilt when he receives the call of a young woman thinking to be also possessed by Evil ...

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.