Two blue-collar buddies search the underworld for a winning lottery ticket lost in a nightclub holdup.

A flashback to the early life of the narrator/ protagonist 'Tanuk' (Juvenile) shows life in the Magnolia projects in New Orleans. He bears witness to his father's demise at the hands of local gangster Garr over a debt of $2000. Fast forward to the year 2000. Beatrice (Birdman aka Baby or #1 stunna) along with Tanuk, Chopper (B.G) and Teke (Turk) meet with representatives of a drug cartel and purchase a large batch of cocaine. We then see scenes of everyday business in Magnolia with Iceberg Shorty (Lil Wayne) selling some drugs.

Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.

On an urban island in Shanghai, Yoyo starts secretly following Lan Tian. In a parallel world, Lan Tian is quietly observing Yoyo in the distance. Trapped in a twin-towered shopping complex, they experience two variations of encounters, as affections, desires and other feelings start to appear.

An unemployed Brit vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.

The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.

No description available.

‘Moscou’ is a densely populated working class neighbourhood on the outskirts of Ghent, Belgium. Matty, mother of three, bumps her car into a truck on the parking lot of a supermarket. Johnny climbs down from the cabin. He is infuriated by the dent in his front bumper and yells at Matty. Although impressed by the accident, Matty fights back with sharp words. Their discussion turns into a row, and the police have to intervene. Matty goes home, the trunk of her car dancing up and down. Back in her apartment, Matty takes a hot bath to recover from the afternoon’s emotionswhen the phone rings. It’s Johnny, apologizing for his behaviour on the parking lot. Matty tells him to stay out of her life. A dramatic comedy begins about a woman whose soul is full of dents and bruises.

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

At an LA house party, an aspiring musician pursues her crush through a crowd of hopeful dreamers chasing empty promises.

A remake of 1973 film of the same name. "Bulan di Atas Kuburan" is a tale of hardships in the capital city. Sahat, Tigor and Sabar ; three friends from Samosir, North Sumatra, quest after greatness whilst deperately holding on to their inner idealism.

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.